EmmaD

‘Specific questions’? – yes indeed, particularly in the light of the current one – Raine’s saying “It’ll be judged purely on ‘how much do I want to read on’” (which strikes me as a genius note to strike when setting a competition.) Of those posted so far I would say there are those which I am unlikely to pursue, simply because they are not the g…[Read more]

Entirely agree with Knicks and Jane. If critique is wanted it should be specifically asked for; where someone believes it would be helpful, a pm is the best place to start. For myself, comp entries are often little more than the flexing of writing muscles.

THanks for the interesting post @richardb. 🙂 I did laugh at Harry critisising the very services that JW offer! I guess their taught courses are less in depth than an MA, but it’s the same principal. As someone said (@janeshuff?) I love that the SE course attracts a wide range of writing genres/styles so there seemed no gravitation towards some…[Read more]

Sorry for absence … Yes, I like the idea of (positive) commenting within the comp thread, and if sub-threading isn’t an option then tagging people is a fair second best, I guess. So yes please do jump into the current comp if you wish to comment. It will be a nice way for people to get a bit of feedback regardless of the comp results. As @daedalu…[Read more]

What would be ideal is an option to indent and insert replies following an entry so that they were clustered after the entry to which they refer. I haven’t seen enough of WordPress or BBpress etc. to be certain, but I think that reply threading only introduces indentation to nest replies, in the same way that replies are handled for “updates”. All…[Read more]

I think you have to activate reply threading, but I don’t know for sure.

Unfortunately, AFAIK (which may be completely wrong) WordPress and its plug-ins only allow a single chain of posts, the idea being that you have a Topic followed by Replies to it. So the thread might go something like ENTRY1 – Comment on ENTRY1 – Comment on ENTRY1 – ENTRY2 – Comment on ENTRY1 – ENTRY3 – Comment on ENTRY2 etc. which is likely to be…[Read more]

Yes, I like all of those. I never really understood the Cloud thing of ‘comment on the person’s wall but not on the thread’. This thing is pretty informal anyway. So Perhaps we can allow, indeed encourage, comments, with the slight caveat that people don’t go heavy on crit or be negative.

Guidelines suggest not posting on the thread with the entries, until after judging is complete, but you can make a general discussion comment tagging the appropriate person. I think I have that correct.

Glad you asked that Jane, I was also wondering.

Yes, Squidge – soon as I pressed ‘go’ I thought that myself!

Sorry I was MIA recently – thanks to all for contributing and it looks as though you’ve all sorted things. Well done, going to look at new comp stuff now

At the risk of sounding ageist, is it not the case that a high(ish) percentage of those doing degrees/Masters are quite young, and are unlikely to yet have the confidence/experience to ignore publishers et al?

Ah, Jonathan, you and I (and Harry) are thinking along the same lines. And yes, there is more. The full blog is here:

https://jerichowriters.com/find-voice-writer/

When I was (a lot) younger I used to snort in contempt when I read in an author’s bio on a book cover, usually American in those days, that they had a degree in creative writing. Hah! I thought, either you got it or you ain’t. You can’t teach it like you can physics or history. It’s not hard and fast stuff like that.

Much later, after discovering…[Read more]

To some extent (not that I’ve done any really full-on writing courses, just SE, some reading and building on experience) I do notice that my very early writing has a freshness of approach that more recent, more self-conscious writing does not.

And I do cheer when I come across writers such as Eimear McBride and Eley Williams (both James Tait…[Read more]

You seem to have set a fire with your idea, Raine: even I’m having a go. Yet more apologies: 408 words.

The Last House

There’s freedom and there’s freedom. Sleeping rough and scavenging for food is freedom, but not the sort that appeals to me. And that’s exactly what I’ll be doing tonight if something doesn’t turn up. Another night’s B&B will…[Read more]

Drink with a dead man – and apologies, 410 words

Innocuous in colour as a Rich Tea biscuit, the envelope was angled so as to fit into the grey metal cell of the Post Restante box. Illuminated by the single bare bulb in the narrow passage between front and rear of the shop, the vertical/horizontal of the letter’s shadow made of it a hitman, w…[Read more]