GippsGirl

Lovely, elegiac blog, Richard. I don’t think I realised how hard it could be to access pop music, especially anything out of the mainstream, until the late 60s.

As you know, Fairport is one of my favourite bands as well. I’d never heard the live version of Percy’s Song but just listened to it, and I know what you mean – both versions have…[Read more]

Interesting to see this pop up again – thanks for those podcasts Libby, looks interesting – and it has sort of kicked a thought into the foreground.

As a writer, my books *are* me (when it comes to fiction, that is). They are fragments of my being that I have extracted and slapped down on paper. I find it impossible to conceive of someone who…[Read more]

Publishers vary a lot in terms of the extent they will consult and take account of author suggestions. Mine have ranged from asking me for examples of covers I like and making changes to the design at my behest, to not even showing me the cover until the book is published. In the middle was making some changes to a first iteration, showing a…[Read more]

With crime fiction, it seems that the ‘THIS IS WHAT THIS IS signifier is a silhouetted man walking down a tunnel or over a bridge or along a lonely road BUT IT IS ALWAYS THE SAME BLINKING MAN!!! and I wonder authors don’t put their foot down. Even more so when I see what can be done by a small company with ‘This is our undoing’

It’s a great cover because it hints at characters and themes and atmosphere enough to give a sense of the book, without doing so too overtly

So. Many. Ways. That’s horrifying.

It is, isn’t it?

I suppose that once a book and an author become so well known that the text will survive whatever the publisher throws at it, things are different. The various covers for Mrs Dalloway were what I thought of straight away. They are almost always a portrait of a woman, often Woolf herself, but there are few that would positively prevent a purchase.…[Read more]

Yes, my thoughts exactly @athelstone. I did the same thing – I specifically asked my publisher to brief the designer to NOT include illustrations of the characters, for precisely the reasons you say. I wanted the kids to have ownership of them. Silhouettes are fine, but not drawings. Funny how we all feel the same about this!

Our local indie bookshop – https://www.drakethebookshop.co.uk/ – is doing a brilliant job of keeping us stocked up with books – and says he has deliveries of stock arriving daily for click and collect. I’ve already spent £100 with him this year – and my ‘need’ list grows ever longer.

Catalyst

Despite the haste of his extreme, and unavoidably, late arrival – ‘Sorry, sorry, bastards took my phone so no way to warn. I’ll be fine, just need to wash the blood off … nose, yeah. Not broken. No, it’s fine, Alix paid my cab off at the door. And yeah, the police took witness statements.’ – he’d caught a glimpse of her as he hurri…[Read more]

It is an excellent fox. Foxes are cool.

I think I understand really well why you wouldn’t want a human face on the cover. A huge part of the pleasure of reading a novel, is the way the characters reveal themselves to us as the story progresses. A picture of somebody, fully-formed, denies the reader that pleasure. But you can understand why…[Read more]

Now our winter comp is over – may I remind all of you wonderful story tellers that the monthly ones are still running, March already half-way through.
At present no contenders.

Stunning, Raine.

I gushed all over this on social media and have only just seen it here – so congratulations on a thing of beauty (autocorrect tried to make that a ‘biting of beauty’, and perhaps I should have let it), which is quite perfect. xx