JaneShuff

I think you have to activate reply threading, but I don’t know for sure.

Unfortunately, AFAIK (which may be completely wrong) WordPress and its plug-ins only allow a single chain of posts, the idea being that you have a Topic followed by Replies to it. So the thread might go something like ENTRY1 – Comment on ENTRY1 – Comment on ENTRY1 – ENTRY2 – Comment on ENTRY1 – ENTRY3 – Comment on ENTRY2 etc. which is likely to be…[Read more]

When I see post from people talking about some version of UWS or whatever the letters were, it seems to have a lot to do with being arty with words but without really knowing what they want to say. And not just for the joy of playing in the wordbox, which I think most writers have done at some point or another (gods, but teen-me loved fancy words,…[Read more]

I think you’ve explained that really well, Squidge. That ‘trying too hard’ can detract from what the writer actually wants to say, and often kills ‘voice’ too. Speaking from experience, many of the sentences I’ve laboured most over are the ones that end up being cut when I go back and edit!

Yes, I like all of those. I never really understood the Cloud thing of ‘comment on the person’s wall but not on the thread’. This thing is pretty informal anyway. So Perhaps we can allow, indeed encourage, comments, with the slight caveat that people don’t go heavy on crit or be negative.

I think it feels sometimes as though it’s trying too hard… The kinds of words used, particularly. I know there’s a place for fabulous language – certain Denizens often take my breath away when I read what they’ve written, for eg! – but sometimes it feels laboured. As if the author thought ‘I must describe this thing beautifully to get across how…[Read more]

“Some of the stuff I see posted is very…not pretentious, exactly, but it is fairly obvious that for some on the courses, they are still at the experimental and learning stage which means they are sticking to tried and tested formulae in order to ‘make their way’ in the world.”

This is really interesting, @squidge. Can you describe more what you m…[Read more]

Guidelines suggest not posting on the thread with the entries, until after judging is complete, but you can make a general discussion comment tagging the appropriate person. I think I have that correct.

Glad you asked that Jane, I was also wondering.

Yes, Squidge – soon as I pressed ‘go’ I thought that myself!

I think some ARE young, Sandra, but what I’ve seen of the Masters, it tends towards a fairly older crowd, often folks who’ve been doing other things in life first.

Sorry I was MIA recently – thanks to all for contributing and it looks as though you’ve all sorted things. Well done, going to look at new comp stuff now

At the risk of sounding ageist, is it not the case that a high(ish) percentage of those doing degrees/Masters are quite young, and are unlikely to yet have the confidence/experience to ignore publishers et al?

I think there is a different approach to writing if you do a degree/Masters in it. It’s almost as though, at the point of graduation, most folk have a perceived idea of what writing should be. Qualifying this because I know a creative writing lecturer, and am in a facebook group for one of the CW courses at a local uni. Some of the stuff I see…[Read more]

Ah, Jonathan, you and I (and Harry) are thinking along the same lines. And yes, there is more. The full blog is here:

https://jerichowriters.com/find-voice-writer/

When I was (a lot) younger I used to snort in contempt when I read in an author’s bio on a book cover, usually American in those days, that they had a degree in creative writing. Hah! I thought, either you got it or you ain’t. You can’t teach it like you can physics or history. It’s not hard and fast stuff like that.

Much later, after discovering…[Read more]

Sometimes professional book reviewers complain that creative writing graduates have a CW style. I haven’t spotted it myself and perhaps am being dense. If any Denizens can describe it I’d be grateful!

I do notice trends and fashions but they seem to apply to most trad published novels.

Re the workshop style, there must be a danger that if you’re…[Read more]

To some extent (not that I’ve done any really full-on writing courses, just SE, some reading and building on experience) I do notice that my very early writing has a freshness of approach that more recent, more self-conscious writing does not.

And I do cheer when I come across writers such as Eimear McBride and Eley Williams (both James Tait…[Read more]

On the subject of having the courage of one’s own convictions I see that Imtiaz Dharker has turned down the role of Poet Laureate so she can concentrate on her own work.