Kate Hudson

Wow. That went fast!

I’m happy with the timetable you suggest @woolleybeans and equally happy if anyone with a busier Christmas than mine wants to take it even slower. I’m getting a lot out of this and don’t see any need to rush!

Thanks for staying on top of it WB

Ha! Thanks @Squidge for the Julie Cohen notes, and I see I commented on your blog back in 2013,
(tho’ never went to one of her workshops) But immediately, with this, I see the beginnings of a character emerge. Admittedly, built onto the murderer I was groping for with the various questionnaires, but certainly growing.

I seem to be following @katemachon round the den and repeating everything she says. So once again… Thanks @squidge. It was a great blog. That Julie Cohen is a very clever person.

Thanks @squidge – a great blog.

I’d be interested too @squidge.

@squidge I’d be interested in seeing those notes too.

I agree with you both about using the character questionnaire and other exercises at the early stages. It isn’t helpful for me. I need to write stuff and let them emerge. However at the end of first draft stage (which is where I’m at) I am finding it very useful for pinning down things about…[Read more]

I’m glad it wasn’t just me who read the wrong bits! Some of the suggestions in this chapter are quite subtle and may be beyond my sledgehammer approach. 🙂 Was interested at the example of the waitress and how she was characterised by her actions while the customers were characterised by their looks.

I shall have to give this questionnaire some…[Read more]

@JaneShuff – I haven’t even started the book yet, just 300 words of random scenes … but glad to hear it works for you.

Ah another person in search of their murderer. I wrote 90% of my first draft before I identified mine!

I too found it fairly alien until recently but it works for me in a weird way, nudging my unconscious to sort problems out if that makes sense.

Like Squidge, this is an alien way of working for me, but … I need a murderer. One who isn’t immediately identified as such. (And while I know the (probable) victim I don’t know why or how) so I’ll be attempting to discover him (probably him) with this approach.

Just getting to this today & realised after reading this thread that I was reading the beginning of the chapter too! In my defence, it’s interesting!
I might try the exercises on my winter challenge story being as I’ve only got the vaguest idea about my characters in that… wish me luck!!

I am absolutely loving doing the character questionnaires, using the characters from the splurgy and shapeless first draft of my current WIP. Like @squidge though, I am not sure if I would get so much out of doing it before I had written extensively about them. It would feel like inventing a character rather than discovering one. Has anybody tried…[Read more]

Ditto from me @katemachon . Another quote from, I think, later in the chapter is ‘There’s nothing generic about fiction’- probably misquoted as I didn’t write it down. And also from The Art of Character – ‘It’s through character that we bring the general down to earth.’I am feeling both inspired and daunted!

I haven’t finished this chapter yet, but I’m already fascinated. Love the Sloane rule that speech ‘must do more than one thing or it is too inert for the purposes of fiction.’

And the example of the argument about sinking the oil rigs was an eye opener – to engage us emotionally in a disagreement, the characters must have an emotional stake in…[Read more]

Or choose a character you’ve developed already and see if the character questionnaire sheds any new light. Like you, I tend to discover who they are as I write.