Philippa East

I LOVE the sound of this book!!

How about…. (London’s) Queen of Time and Shadow

Exactly 🙂

Oh my goodness, guys, what great suggestions! I will check out those links too.

@Squidge, I’d love to take a look at your exercise if you can send it?

The focus for the book is about whether and how a family can truly reconcile after such a trauma, and what level of culpability a family must ultimately shoulder. Much time in the book is spent in…[Read more]

During the abduction, she believed her family had abandoned her. Now that she has returned, she doesn’t know whom to trust, or where her “real” home is. She clings to cousin Jess, she mistrusts the adults, in the end she turns on her cousin too (bit of an all-is-lost moment there, before the end).

Yes, abducted aged 8, now 15. She grew up enmeshed with her cousin – they were like twins in a fairy-tale. She is blonde, her cousin brunette. Otherwise, an unstable childhood; her biological dad is estranged. Brought up by her step-dad since aged 4, and has twin half-brothers (now aged 7).

Such an interesting thread, Sandra.

I think the most helpful advice I read on this theme was the point that it is not my job to judge whether my work is good or bad. Who am I to say whether someone else’s mind will or won’t be blown? That’s up to them.

My job as author is to write the damn piece to the very best of my ability, and then to put it…[Read more]

I do love a good pow.

Hi @Alanr
Sounds like a plan. My understanding of the “read our books before you submit” guideline is to help prospective authors determine whether their own MS would be a good fit. I’m sure you’ll quickly work this out by consuming a few of their titles to see if your own seems similar in style and flavour. Good luck!

Pow, @kazg, you got it!

Not yet… although I think I started Francis Plug: How to Be a Public Author.

I like the sound of them as a publisher, if you’re going for the literary / experimental end of the spectrum.

Well, clarifying the problem is always a good start! Yes, I can see better now what’s making it tricky. I guess the same principles still apply: focus on your onlooker’s reactions to what they are witnessing, rather that (just) the action itself. Maybe think about the onlooker experiencing the violence as a series of sounds, movements, colours,…[Read more]