Bella

It sounds like a really difficult issue, Janeshuff. However well done on you for listening to your reader feedback.

I think as others have suggested, a close psychic distance is your answer. The character’s subjective thoughts, feelings, and reactions can never be gratuitous. These will also advance your plot, by contributing to your character’s…[Read more]

Thanks guys. That’s really helpful.

I’m leaning more towards going with a fictional place, although based on a real location to help me be consistent with geographical details. For me, I think it’s becoming clear that there is a particular kind of place I envisage as the setting for this particular story.

Trying to shoehorn my story into a…[Read more]

Some great ideas in there, thanks Jonathan

“if it doesn’t advance the plot or reveal something about character, don’t prolong it.” – excellent advice! Thanks Jane.

Jonathan, I don’t want to write more detail of exactly where and how many times they hit her and how much it hurts (or doesn’t) mainly because I don’t think it advances the scene and would therefore be gratuitous. I’ve tried, now, to write enough for the reader to understand that it was horrifying, callous and caused life-threatening damage (which…[Read more]

For severe violence done well I’d look at Malcolm Mackay, Ray Banks, Stuart Neville’s ‘The Twelve’. Benjamin Myers ‘Turning Blue’ had me commenting ‘Stomach-churning details precisely told’, or Sarah Hilary. Denise Mina might be good, but I cannot remember which is the most violent.

Thriller/Psychological thriller, Anna. If you have any suggestions of books where you think the violence is done well, I’d be interested!

Kate, I think I am may have let my decision to keep the violence short stop the scene from developing in other ways so I’ve been working on that but I can see, nevertheless, that the violence has been threatened for a long time and I’ve ramped up the tension and fear leading up to it and maybe that is why it seems a let down.

I’d agree with you Jane, ‘less is more’ works for violent scenes much as it does for sex scenes, though I suppose you’d have to work harder so as to bring something fresh for the readers’ mind to work on.
Those long, graphic scenes can be effective, up to a point but can tun as many off as they do on, so go with your gut feeling.

Congratulations! I’m so excited for you, that’s such great news. *lifts glass of wine*

Coming in late as I’ve been plunged in post-York wip modifications.
Mandy, you were brilliant, funny, natural, endearing, strong and gracious. Like many, I’ve followed your journey, but to hear it all, from the beginning to now, was just wonderful.
Seeing so many of you at York really charged my batteries. There were definitely less cloudies this…[Read more]

Earth and smoke and iron

It were an odd one and no mistake. She were odd. Educated; not from round here. ‘Otherworldly’ some might say.
She lugged it in, wrapped up in brown paper, tied with string. Knots sealed with blobs of scarlet wax.
‘You’ll ‘after tell me what’s in it, lass –‘
‘A coat. An army one. That’s what’s the smell –‘
I sniffed. A…[Read more]

Great writing Seagreen. I thought it was a winner as soon as I read it. Super competition Daeds and what a great effort with all the feedback!

I’m in Loughborough – I wouldn’t call it quaint or pretty…like any town, there are bits like that, but not in the town centre. I suppose it depends on where most of the action happens…

Not sure where you’re based, Philippa, but happy to show you round if you want to see it!

Hi @alanr,

Great! That makes sense. I think all of the points you make about how the manananggal operates within Galina could be turned into a great hook in your blurb, while also satisfactorily answering the agent’s burning question of ‘how does this possession thing work?’

A final couple of super-picky points.

I would be wary of ‘selling’…[Read more]

Thanks guys, and sorry for my slow reply (I am currently on a canal boat!)

These are all extremely helpful ideas, great brainstorming. I am going to take some time to digest it all and see what speaks to me.

I do like the idea of a fairly “quaint” or “middle class pretty” town which contrasts with the trauma of abduction. Also the theme (which…[Read more]