Bella

That’s the most important bit done.

Thank you for a very interesting read Daedalus. You have made me want to go and watch the film. I am

I absolutely agree with you Raine about not every character progressing through their arc in synchrony and entirety but nevertheless needing some sort of arc. I have only recently realised that this gives the relationships between characters energy and life as they shift according to where they are in their ‘journey’. It is a powerful tool.

I think “Spotting an opening…” needs a new para. The lipstick thing is a little over complicated, I think you could shorten it without losing anything.
The “pills like skittles” analogy doesn’t work for me.
“Small-to-medium-time” seems a cop-out, he’s a small-time crook, I think.
“Anticipated to sit..” should be “anticipated sitting”.

I’d take…[Read more]

@janeshuff, that’s a great way of putting it. Yes, “the broad sweeps” and then refining in the edits.

I too tend not too worry too much about the overall structure when I’m actually in the thick of writing a first draft but I have found that reading the various books about structure has helped me be aware of the broad sweeps of the shape of a story as I’m thinking it out.

Sorry – I didn’t actually mean that story structure depicts mental illnesses.

More that psychologists have many different models to describe particular MH conditions. For example, for depression we have the CBT model, the psychoanalytic model, the interpersonal model, the biological model etc. etc. Each model is trying to describe and explain…[Read more]

I remember doing these sessions at York…it all seemed to make perfect sense when CMT was explaining it, but I can’t put it into practise. I don’t think I have the kind of logical and structural mind that can break a story down into these kind of segments. Which is annoying, because I know it’s all good stuff and very useful – I just can’t apply…[Read more]

Very nice… There were a couple of points only that tripped me up in the reading:
‘Tasha and she nicked the lipstick’. Didn’t sound right. I wondered about ‘She’d nicked the lipstick when she was with Tasha’, but wasn’t sure how that’d affect your word count.
‘The salty scent of sweaty skin trapped in every pore’. I read this first as the sweaty…[Read more]

I find this sort of structural analysis interesting – and useful because I’m convinced that there’s a kind of validity to it. So I’m really happy to steal the ideas and use them. What I’m not so sure of is whether something with a “universal” explanatory power – or even scope – is being described. And that goes for the stages of grief as well.…[Read more]

That’s great, @raine, and so nicely explained.

I find so many similarities between the many varied “models” of story structure, and the many evolving models we use in psychiatry to diagnose and treat mental health conditions.

Mental health conditions (the fairly predictable ways in which the human brain breaks down) have a sort of inherent…[Read more]

Don’t think I’d qualify as I’m not looking to change genre but am already published… Also can’t commit to the time at the moment 🙁

Hi Squidge,

No, I’m not super-involved, but the mentorship scheme was a huge and brilliant project for me. It’s definitely worth applying. I don’t find WEM especially highbrow! Generally very friendly, supportive and enthusiastic about writers and writing.

Are you involved in WEM, Philippa? I just received their latest email update and it all sounded a bit highbrow!

Love the sound of that, @raine, including setting up a group.