EmmaD

Thanks Sea – not heard of the ‘7 Cs’ but it makes perfect sense. Perhaps it is that it can’t be immediately applied from the start, i.e. you (meaning one, and definitely I) have to write quite a lot of scenes involving character and events before the story line appears, after which tweaking into shape can take place.

I’m relieved to hear I’m not the only one to have been unable to find a theoretical how-to-plot scheme that works for them, and I really have tried because plotting is certainly what I find hardest, not being a natura story-teller.
Screenwriter Jeremy Sheldon did a brilliant presentation at a Festival of Writing weekend, (2014?) and I’ve been…[Read more]

Good point, Squidge. It can also help if your think about how you perceive things in real life. When someone becomes angry, for instance, no one tells you ‘this person is angry.’ It’s shown to you as you see their brows come down, as you hear their voice rise.

And for all ‘novices’ reading this, another plug for Emma Darwin’s blog, the finest…[Read more]

What a brilliant set of answers and examples to a most important question, I’ve been writing fiction ten years now but still forgetting how this one works. Thaks fir asking it, Andrew. And well done Jane for mentioning Emma’s blog – taught me so much.

Showing and telling is a tricky one and there are many situations where telling something is 100% right and others where showing is 100% right. The reverse is also true.

Jake was acting suspiciously when I met him at the cafe. He looked cagey and only told me about Jane when he was sure nobody else could hear him.

Jake sidled through the cafe…[Read more]