Julie Cordiner

This story has just been accepted into the Mechanics Institute Review. Randomly named journal, but I’m pleased it’s found a good home. 😊

Yeah, I’d agree, i think the comp works best as a pressure-free place for people to dip their toes in the water or play around a bit. Nice, encouraging comments are a great way of supporting that, but more critiquey comments, although a wonderful thing would perhaps be more useful in the critiquey Forum, or direct posting/messaging, and of course…[Read more]

‘Specific questions’? – yes indeed, particularly in the light of the current one – Raine’s saying “It’ll be judged purely on ‘how much do I want to read on’” (which strikes me as a genius note to strike when setting a competition.) Of those posted so far I would say there are those which I am unlikely to pursue, simply because they are not the g…[Read more]

Entirely agree with Knicks and Jane. If critique is wanted it should be specifically asked for; where someone believes it would be helpful, a pm is the best place to start. For myself, comp entries are often little more than the flexing of writing muscles.

THanks for the interesting post @richardb. 🙂 I did laugh at Harry critisising the very services that JW offer! I guess their taught courses are less in depth than an MA, but it’s the same principal. As someone said (@janeshuff?) I love that the SE course attracts a wide range of writing genres/styles so there seemed no gravitation towards some…[Read more]

Sorry for absence … Yes, I like the idea of (positive) commenting within the comp thread, and if sub-threading isn’t an option then tagging people is a fair second best, I guess. So yes please do jump into the current comp if you wish to comment. It will be a nice way for people to get a bit of feedback regardless of the comp results. As @daedalu…[Read more]

I think you have to activate reply threading, but I don’t know for sure.

I think it feels sometimes as though it’s trying too hard… The kinds of words used, particularly. I know there’s a place for fabulous language – certain Denizens often take my breath away when I read what they’ve written, for eg! – but sometimes it feels laboured. As if the author thought ‘I must describe this thing beautifully to get across how…[Read more]

Guidelines suggest not posting on the thread with the entries, until after judging is complete, but you can make a general discussion comment tagging the appropriate person. I think I have that correct.

Glad you asked that Jane, I was also wondering.

Yes, Squidge – soon as I pressed ‘go’ I thought that myself!

I think some ARE young, Sandra, but what I’ve seen of the Masters, it tends towards a fairly older crowd, often folks who’ve been doing other things in life first.

At the risk of sounding ageist, is it not the case that a high(ish) percentage of those doing degrees/Masters are quite young, and are unlikely to yet have the confidence/experience to ignore publishers et al?

I think there is a different approach to writing if you do a degree/Masters in it. It’s almost as though, at the point of graduation, most folk have a perceived idea of what writing should be. Qualifying this because I know a creative writing lecturer, and am in a facebook group for one of the CW courses at a local uni. Some of the stuff I see…[Read more]

To some extent (not that I’ve done any really full-on writing courses, just SE, some reading and building on experience) I do notice that my very early writing has a freshness of approach that more recent, more self-conscious writing does not.

And I do cheer when I come across writers such as Eimear McBride and Eley Williams (both James Tait…[Read more]