Kate

Congratulations, Richard. It’s a powerful story that deserves recognition.

I see from the website that my entry has been longlisted, too, which feels rather good. I didn’t recognise any of the other titles.

Andrew, 1975

It’s February, and evening is upon us. Andrew goes unnoticed. Pedestrians streaming by the Palace Theatre barely even see a youth leaning against the wall. Some look towards him, but they are peering through the glass doors. Maybe they are wondering whether Jesus Christ Superstar is worth the ticket price. The traffic sweeping a…[Read more]

I like Discord for all those reasons too @raine.

It may well and best suit the members who will show up there, and couldn’t there be an influx of new writerly blood from the different tags we use on open channels?

There’s a lot to be said for Discord. There are a number of pages I visit regularly. I don’t imagine it would suit some of our members, but there may be no alternative in a year’s time.

Sorry Sandra, I copied it in from my phone and forgot the ever-imperative word count: 500 words excluding the title.

I think ‘potentially static’ probably referenced one of those generalised statements that crop up when creative writing is discussed. There could be a nugget of wisdom in there but as shorthand it’s too cryptic to decipher and I couldn’t reverse engineer it to anything that might be a pitfall we should be aware of. It doesn’t seem to be like the…[Read more]

It is odd. Almost as if the commentator was doing a list for a creative writing course: what are the pros and cons of etc etc. But among the reasons I have for not enjoying a novel or short story, static-ness (?) isn’t among them. Slowness, yes of course, and an apparent lack of narrative thread, and straightforward dullness, but I don’t think…[Read more]

No preference.

My WIP is first person, present tense. I didn’t choose or plan this; it just happened when I started writing. I think it fits the voice of the MC.

I suppose that many people who are mainly familiar with a narrator, often omnipotent, addressing the reader in past tense, assume that present tense (especially first person) is likely…[Read more]

Just realised, quite a few of my Challenge stories are written in first person present. I think to give myself an extra treat!!Would definitely deny they are static!

Brief, and not necessarily well-thought out reply, (nor am I 100% I’ve got the terminology right), but Elly Griffith’s ‘Ruth Galloway ‘ series is told in present tense, with sentences/Pov  as “Ruth watches as C and C get into the Rolls” (second person??) Every time I start a new one I think “Oh no, forgot how much I dislike this” then very…[Read more]

<p style=”text-align: center;”>THE LIBRARIAN</p>
“Come here.”

Mayrie tensed at the grave, inscrutable timbre of his voice. Some would call it a salt-of-the-earth voice but she was under no illusion about the nature of the man seated before her. The slight narrowing of her eyes all but said, if it’s just the same to you Guv, I think I’d rather…[Read more]

Hmm, essay alert — me pontificating. I think Modernists such as James Joyce and Virginia Woolf had an excellent  grasp on the categories of psychic distance, although they probably didn’t call it that, going instead for stream of consciousness, free indirect style and omniscience. They announced themselves to be influenced by cinema and used it…[Read more]

Very true. There are precious few lighter moments. Mind you, he’s not quite the worst author I know for that. Not exactly fantasy (although he did write a collaborative series with Terry Pratchett), Stephen Baxter has the habit of making you identify with and root for particular characters, and then watch as their responses to ever tougher…[Read more]

@woolleybeans wrote: “For me, that aspect [the defining factor of PD] was/is the level to which the POV character’s thoughts, feelings etc influence/become part of the writing style itself.

As for how that correlates to film/TV…

The saturation of colours? Whether the shot angles up through something? The somewhat cliché blurry/wobbly scen…[Read more]

You’re probably right re urban fantasy, I have a rather vague grasp on the various subgenres, and that’s when authors oblige and ensure that their work falls squarely within one category. I have no idea where to put China Mieville’s Bas-Lag novels, and I suspect he likes it that way. They have the epic sweep and complex magical systems of high…[Read more]

Thank you for this Richard, on the strength of which I’ve just recommended it to my daughter.

There’s something awe-inspiring about coming into contact with truly large insects and similar bugs, and your blog reminded me of an incident on holiday in Spain, years ago. We’d rented a cottage and on the last day we were cleaning up and I’d put a bin-bag by the door. I reached down to retrieve what looked like a piece of vegetation poking out…[Read more]