KazG

  • Oh, well done, Stevie, and deservedly so!

  • Congratulations Stevie!!

  • I expect many here know about Jericho Writers, the successor to the Writers’ Workshop that hosted the Word Cloud forum. It seems that they are about to offer a one-year Writing a Novel course to include a pass to the Festival of Writing and either the Getting Published or Self-Publishing day. It also includes a full MS assessment, one to one…[Read more]

      • Oh yes (part 2): just to show how bad I am at reading things – it’s £4,950 / €5,700 / $6,500

        • Well, that just answered my own question for me. At about half that price I might puzzle over whether I could stretch to it, but £5K is way out of reach

          • Sounds to me like Harry’s got his head in the clouds again. Who on earth is going to commit that sort of money? Anyone who was confident enough of their abilities to make it seem worth it would be confident enough to think they didn’t need it, surely?

            Incidentally, I see Retreat West, partners in this venture, is run by Amanda Saint, who was on…[Read more]

            • At least 4 of the people in my self-edit group are publishing away, Richard. One of the our very own Bric. We definitely do not all move at the same pace along our paths!

            • You’re as good a writer Richard. Anyway, people on each SE course are naturally at different stages when they come into it. Incidentally I still think that second novel of yours is cracking and would urge you to keep subbing it as well as working on AROS

            • Agree with Daed and WB. We all take tge journey or mountain at what speed best serves us. And you should definitely keep going with AROS (as long as you want to!)

    • Who the hell is going to pay £5k for that? For £5k you could probably do one of the more prestigious creative writing MAs

      • Flippin heck. That is steep. With no guarantee at the end of it that you’d be published…
        Amanda does seem to be getting on well – there are some other ex cloudies working with her now as well.

    • Interesting… almost feels like they’re trying to offer something similar to the Curtis Brown Creative course. That’s a massive amount to invest.

    • Ok that’s mad. For £84 you can join skillshare (having got the first 3 months free) and pretty much learn evetything being taught here from a choice of 100s of different teachers. With a bit of research and determination, you can find professional author groups to join that will give you a lot of the hand holding and help. Ok it includes the…[Read more]

      • Yes, Jules, that’s just what I was getting at above. If you’re so near to the start of your writing journey as to need everything in this package it’s still basically a dream/hobby. And how many have that sort of money to blow on a dream?

    • Chichester Uni’s creative writing MA costs £5,202, and features some fairly big names on the teaching roster. With all due respect to the people on the Jericho course, they ain’t Jim Crace or Kate Mosse.

      • And of course at the end of that you have a postgraduate qualification as well as having received first-class teaching and support

        • If I had 5k to spend, I’d spend it on an MA. YOu get the 1:1 tutoring from highly qualified teachers and writers, peer support, much more in depth writing tuition, and you end up with a degree that agents etc will sit up and pay attention to. No contest. (I wish I had 5k. I’d LOVE to study writing at MA level)

      • Wow, Daeds, that comparison is a real eye opener. I wonder which will go best on a CV? He really has showed himself up for what he is IMHO.

    • It is indeed a lot of money. It is rather aimed at complete beginners as far as I can tell, because somewhere (possibly in a blog about it) Harry has said that if you have completed a novel and are editing it then it probably isn’t for you (at least not for that novel) so it does seem like a write from scratch hand-holding affair. I’m sure that it…[Read more]

  • JaneShuff posted an update 7 years, 2 months ago

    Has anyone here read Michael Ondaatje’s Warlight?

    • No. I’ve been waiting for it in paperback, not sure it’s out yet, but certainly intend to.

    • I was toying with splashing out on the Kindle edition but Andrew Motion’s review made me think about it. I probably will, though.

      • I have now read Andrew Motion’s review and he sums up my frustration with the book perfectly.

        • Thanks Ath.

        • I think I agreed with Andrew Motion’s review too. Read Warlight when it came out and memory of details is beginning to fade. But, yes, a little disappointing. Sort of changed its nature part way through?
          PS Motion’s review of Tessa Hadley’s latest, Late in the Day, pretty spot on too though I enjoyed it a little more than he seems to have done.…[Read more]

          • PPS Actually I liked it, but I’m a big Hadley fan. However I didn’t put it down thinking I’d like to read it again.

            • Ooh I’ve never read anything of hers. Could you recommend one, @libby?

            • Of her novels, I’d go for The Past. Though I also like The London Train for the way it includes contemporary issues and anxieties.
              The short stories are even better. I’d start with the last volume, Bad Dreams.

  • Philippa East posted an update in the group Group logo of December SloMoDecember SloMo 7 years, 2 months ago

    I am planning to start working in earnest on Book 2 from March onwards, after giving myself a break from writing / editing for all of February.
    I hope you will help me my cheerleading / offering tea / kicking my butt, hard.
    Hope you are all getting on well with your own writing tasks. xx

  • Raine posted an update 7 years, 2 months ago

    A note to those on submission or thinking of submitting – Agents etc are starting to gear up to the London Book Fair now, so March is a bad time to send stuff/expect responses. They’ll be totally preoccupied with prep, and then the week or so afterwards with finalising deals made there.

  • They’re favourites of mine. And they were exceedingly good engines too. A design that stays in front-line express service for forty years is not to be sneezed at.

    I own the current iteration of the Hornby Castle. A lovely model to look at, but my example is an erratic runner, so it sits on my desk as an ornament.

    I told you I was a nerd…

  • Castle class are lovely. My first Hornby train was a Castle class. Wish I could remember which one.

  • When they put the Great Western locomotive Caerphilly Castle in the Science Museum my father said, ‘The father of one of classmates at school used to drive that engine.’

  • It has become a tradition, continued here from the Word Cloud, for those who have succeeded in getting an agent or a publishing deal to blog about their journeys to that success. Well, some of us who haven’t managed to get that far have our stories too…

    In 2012 I started my first novel. My first proper novel, that is: the first one to be…[Read more]

  • …In fact one of my few relatively clear memories of my grandfather are holding his hand while we stood on the (very crowded) footplate of the Oliver Cromwell, a BR Standard 7 Class locomotive, for a short run up and down the rails at Bressingham in the early 1980s. All I remember is a glimpse of the fire in the furnace, being closed in on all…[Read more]

  • This is fascinating.

    My grandfather, on my mother’s side, worked on the railways but I know virtually nothing of what he did, to my embarrassment. I gather he was responsible for maintenance of a section of track, and when he started, had something to do with using horses to shunt rolling stock into and out of sidings, this being before that…[Read more]

  • I can definitely see the attraction in steam locomotives, and I have fond memories of holidays as a child, waiting on Newbury station for the express to arrive and whisk me away. I always prayed that it would be one of those wonderful swept-front, streamlined marvels, and was overjoyed if it was. Looking over the tracks to the Newbury marshalling…[Read more]

  • In a word, Athers, no. Just a life-long interest in railways, which is a spin-off from a passion for steam engines that started before I can even remember. I’m a nerd, basically. Though not an anorak: I was never a trainspotter, and collecting numbers seems a pointless exercise to me. Though if you were to ask me about the technical workings of a…[Read more]

  • Richard, it may be something I missed over the time that you’ve been writing these (excellent) blogs: I know where you used to work, but do you have a connection to the railway yourself?

  • No, I hadn’t heard of this one, but with two (as it turns out) of the four fatalities being railwaymen it probably wouldn’t have made a big splash except in the local press. Your father’s reaction, though: kids, eh?

  • Richard,
    My late father would tell of a train crash in Diggle, then in Yorkshire, in 1923 or 1924. He was four and witnessed the accident whilst out walking with his granddad. He was interviewed by the local newspaper and is reported to have said “It were a grand smash” or similar. I see from google that four people died, so it probably wasn’t so…[Read more]

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