Raine

Congratulations, Richard. It’s a powerful story that deserves recognition.

I see from the website that my entry has been longlisted, too, which feels rather good. I didn’t recognise any of the other titles.

Andrew, 1975

It’s February, and evening is upon us. Andrew goes unnoticed. Pedestrians streaming by the Palace Theatre barely even see a youth leaning against the wall. Some look towards him, but they are peering through the glass doors. Maybe they are wondering whether Jesus Christ Superstar is worth the ticket price. The traffic sweeping a…[Read more]

I like Discord for all those reasons too @raine.

It may well and best suit the members who will show up there, and couldn’t there be an influx of new writerly blood from the different tags we use on open channels?

There’s a lot to be said for Discord. There are a number of pages I visit regularly. I don’t imagine it would suit some of our members, but there may be no alternative in a year’s time.

Sorry Sandra, I copied it in from my phone and forgot the ever-imperative word count: 500 words excluding the title.

I too fail to understand what ‘static’ is supposed to mean in this context, or why it should apply to present tense. I have no problem whatever with reading present tense stories: sometimes I think I even prefer them. With past tense you’re always at one remove, as if listening to someone tell a story. Present tense is immersive, immediate. After…[Read more]

No preference.

My WIP is first person, present tense. I didn’t choose or plan this; it just happened when I started writing. I think it fits the voice of the MC.

I suppose that many people who are mainly familiar with a narrator, often omnipotent, addressing the reader in past tense, assume that present tense (especially first person) is likely…[Read more]

Just realised, quite a few of my Challenge stories are written in first person present. I think to give myself an extra treat!!Would definitely deny they are static!

Brief, and not necessarily well-thought out reply, (nor am I 100% I’ve got the terminology right), but Elly Griffith’s ‘Ruth Galloway ‘ series is told in present tense, with sentences/Pov  as “Ruth watches as C and C get into the Rolls” (second person??) Every time I start a new one I think “Oh no, forgot how much I dislike this” then very…[Read more]

<p style=”text-align: center;”>THE LIBRARIAN</p>
“Come here.”

Mayrie tensed at the grave, inscrutable timbre of his voice. Some would call it a salt-of-the-earth voice but she was under no illusion about the nature of the man seated before her. The slight narrowing of her eyes all but said, if it’s just the same to you Guv, I think I’d rather…[Read more]

Very true. There are precious few lighter moments. Mind you, he’s not quite the worst author I know for that. Not exactly fantasy (although he did write a collaborative series with Terry Pratchett), Stephen Baxter has the habit of making you identify with and root for particular characters, and then watch as their responses to ever tougher…[Read more]

I discussed that last point with the person who recommended the series to me, and we agreed that that’s actually one of its strengths. In real-life situations of war, revolution, unrest etc good people are just as likely, or even more likely, to get killed as bad people. The atrocities that occur at regular intervals are paralleled in real life…[Read more]

@woolleybeans wrote: “For me, that aspect [the defining factor of PD] was/is the level to which the POV character’s thoughts, feelings etc influence/become part of the writing style itself.

As for how that correlates to film/TV…

The saturation of colours? Whether the shot angles up through something? The somewhat cliché blurry/wobbly scen…[Read more]

You’re probably right re urban fantasy, I have a rather vague grasp on the various subgenres, and that’s when authors oblige and ensure that their work falls squarely within one category. I have no idea where to put China Mieville’s Bas-Lag novels, and I suspect he likes it that way. They have the epic sweep and complex magical systems of high…[Read more]

Thank you for this Richard, on the strength of which I’ve just recommended it to my daughter.

I’m not sure that I’d call The Ten Thousand Doors urban fantasy, exactly, as I understand it (yes, I did go and look it up). it has some of the tropes, like fantastical elements intruding into our world, but the setting is neither urban nor contemporary.

I take your point about some modern fantasy being more original (I’ve sampled George R R…[Read more]