Raine

I think most writers are also great readers and have acquired an instinctive grasp of story structure. That doesn’t mean a bit of conscious knowledge won’t help. But sometimes you have to trust your unconscious.

I’m another one whose eyes glaze over at charts, grids, questionnaires and all the rest of it, and find the idea of forcing a story into a set framework very inhibiting. I’d come to suspect that lack of a coherent framework in my writing was one reason I’ve never got on the road to publication, but when I applied the 7 Cs to my last effort it…[Read more]

Ooh what an interesting conversation!

I think it’s quite hard (impossible for me) to tailor a novel according to a detailed framework and I will often start with only the inciting incident, the external problem the MC has to fight/solve and the antagonist forces, whether they’re people or circumstances, then let the story develop a first draft…[Read more]

Thanks Sea – not heard of the ‘7 Cs’ but it makes perfect sense. Perhaps it is that it can’t be immediately applied from the start, i.e. you (meaning one, and definitely I) have to write quite a lot of scenes involving character and events before the story line appears, after which tweaking into shape can take place.

I’m relieved to hear I’m not the only one to have been unable to find a theoretical how-to-plot scheme that works for them, and I really have tried because plotting is certainly what I find hardest, not being a natura story-teller.
Screenwriter Jeremy Sheldon did a brilliant presentation at a Festival of Writing weekend, (2014?) and I’ve been…[Read more]

I always sit in on these ‘story arc’ kinds of sessions in the hope I’ll find one that works for me. I never have…

I do have two that help remind me of the essentials though.

The triangle…I learnt it on the self edit course (now run by Jericho Writers) and blogged about it here:…[Read more]

The starting point for every book has been different for me and my process has changed as well. I used to plan very little but now I do try and start with the main thrust of the plot clear in my head otherwise I risk wandering too far down interesting paths that lead nowhere. But I need the actual process of writing words and sentences to…[Read more]

I start with a name – a character who rattles a stick along the boundaries of my subconscious. Someone who, when I am not looking, will sneak through a gap in the railings and broadcast snippets of conversation to pique my interest. If this character stalks me when I am waling the dog, or when I’m driving, then I might allow him/her free-write…[Read more]

I normally have a character and and end in sight when I start. Apart from that, I don’t do much planning at all – my brain simply doesn’t work like that. I’d love to be more organised, but personally it’s stifling. I am full of admiration for peeps who do the whole character file/in depth plot/post-it scene arrangements etc!

I do a lot of…[Read more]