Stevie

Tangled Web (A, The, What a, Weaving a,)
Untangled Web

Time is sometimes described as a fourth dimension, so:
Fourth Dimension
The Fourth Dimension
Into the, From the, Out of the, Attack of the. (last one was a joke).

Yes, Thea – that ‘never apologise, never explain’ – I read, many years ago, that to do so was a sign of immaturity, but it’s one I haven’t always managed (not so much about my writing, I’m glad to say).

Excellent, Richard.

Phillippa: that sounds a very good attitude to develop,thanks.

I realised that, when in the habit of being ready and willing to apologise, I was giving myself an excuses to fail.
Joining groups such as the Cloud, partaking in story challenges – stretching myself so as not to embarrass myself, judging my work against the very varied submissions of others, and trusting that my peers will give it the respect t…[Read more]

You have to blow your own trumpet, no-one is going to blow it for you.

Two bits of advice ‘freed’ me up wrt location, because I usually start with somewhere I know then make adjustments as necessary. Reading a disclaimer along the lines of “geographical liberties have been taken” I much appreciated.
Also, Eimear McBride said when she wrote of Camden, she did it from a 5 year old memory of the place and never…[Read more]

“if it doesn’t advance the plot or reveal something about character, don’t prolong it.” – excellent advice! Thanks Jane.

For severe violence done well I’d look at Malcolm Mackay, Ray Banks, Stuart Neville’s ‘The Twelve’. Benjamin Myers ‘Turning Blue’ had me commenting ‘Stomach-churning details precisely told’, or Sarah Hilary. Denise Mina might be good, but I cannot remember which is the most violent.

What genre are you writing in Jane?

I agree that if you have built up to it, then there has to be a payoff. You can still adapt the level of detail to suit your intended reader.

It’s a good idea to study comparable books and see how they deal with violence before you decide which route to go down.

I’d agree with you Jane, ‘less is more’ works for violent scenes much as it does for sex scenes, though I suppose you’d have to work harder so as to bring something fresh for the readers’ mind to work on.
Those long, graphic scenes can be effective, up to a point but can tun as many off as they do on, so go with your gut feeling.