David C Wilker

Two bits of advice ‘freed’ me up wrt location, because I usually start with somewhere I know then make adjustments as necessary. Reading a disclaimer along the lines of “geographical liberties have been taken” I much appreciated.
Also, Eimear McBride said when she wrote of Camden, she did it from a 5 year old memory of the place and never…[Read more]

“if it doesn’t advance the plot or reveal something about character, don’t prolong it.” – excellent advice! Thanks Jane.

For severe violence done well I’d look at Malcolm Mackay, Ray Banks, Stuart Neville’s ‘The Twelve’. Benjamin Myers ‘Turning Blue’ had me commenting ‘Stomach-churning details precisely told’, or Sarah Hilary. Denise Mina might be good, but I cannot remember which is the most violent.

I’d agree with you Jane, ‘less is more’ works for violent scenes much as it does for sex scenes, though I suppose you’d have to work harder so as to bring something fresh for the readers’ mind to work on.
Those long, graphic scenes can be effective, up to a point but can tun as many off as they do on, so go with your gut feeling.

Earth and smoke and iron

It were an odd one and no mistake. She were odd. Educated; not from round here. ‘Otherworldly’ some might say.
She lugged it in, wrapped up in brown paper, tied with string. Knots sealed with blobs of scarlet wax.
‘You’ll ‘after tell me what’s in it, lass –‘
‘A coat. An army one. That’s what’s the smell –‘
I sniffed. A…[Read more]

Well done Sea – a breath-stopping piece beautifully (dare I say?) conceived.

Check out the novels first though – a good way to judge whether they’re you’re sort of publisher.

Summer 1999

I told myself, at my age, I didn’t need to be nervous. But knew what I could do well was conscientious.
‘Bring portfolio’ the letter said, so I went out and bought a huge one. Filled it, with two years of one-day a week class-work plus evening Life Drawing. Plus the watercolours I was especially pleased with.
Appointed day, I par…[Read more]