Xander Michael

When I need to be productive, I set myself time slots for internetage. i.e. 15mins when I first sit at the laptop, during a lunch half hour, and then that’s it apart from evening phone-evil-blackhole-of-distraction. Tbh, I like being able to quickly check something as I’m writing – find a photo of a place, or look at a map or whatever, so I…[Read more]

I’d not heard of Pete Roche, and much enjoyed these two examples, thank you for them.

It’s that sort of recognition/everyday honesty that draws me to certain songwriters (I’m thinking Aidan Moffatt in his Arab Strap days), and why Vicki Feaver spoke so loudly to me.

@Daedalus, I know exactly what you mean: most of my novels start with a conversation between two characters, me thinking they’ll be the opening chapter, then, as things develop, I find they’ve moved to the middle of the middle.

@Raine – exactly! When I first read A L Kennedy’s tale, I had to re-read to see how it was done. Then di my best to emulate.

Oh YAY – congrats @athelstone. Very well deserved. And thank-you @sandradavies for such an ace prompt. It was a valuable lesson to me that i really can strip out a lot of my speech tags, actions etc and the world may not crumble!

@Daedalus: the story is in ‘What becomes’, the theme of which comes from the song, and it the tale of a man and a woman, previously unknown to each other, having sex in a hotel bedroom.
I’ve never tried an all-dialogue story, but have to say what were served up here showed similar skills to Kennedy’s.

Well done, and well deserved, Ath!
And thanks, Sandra for such an interesting challenge.

Woohoo! Well done Ath! 😊 And thanks, Sandra, for stimulating dormant brain cells .

Hugely impressed with the variety of proper, fully-fledged and entertaining tales arising from that simple six word start, each then heading in its unique and individual direction; a process which I find fascinating and reassuring, i.e. there is no one and only right way of doing it and all are of equal merit.

Neil
Instant scene setting,…[Read more]

Seven stories already in this month’s competition – and seven days to go, so if you’re dreaming up a dialogue please don’t leave it too long. And if you are in need of inspiration, you’ll get it by reading those already posted.

When The Magic Ends

‘I dreamt about you last night.’
‘Sally, about that.’
‘No, please don’t say it. Things used to be so magical.’
‘But that was then, can’t you see? People move on. You’re not that kid I first met. There are others –’
‘Always were. From the very start you didn’t try to hide it let alone show any remorse. That deep chuckle…[Read more]

‘I dreamt about you last night, or rather I dream about this every night.’
‘You’re not John. Who are you? Do I know you?’
‘It’s me, Gran. It’s David.’
‘I don’t know anyone called David.’
‘Sure you do, Gran. It’s just that you don’t remember. I’m Moira’s son. You remember Moira, don’t you? She was your daughter.’
‘Moira’s dead. She had a…[Read more]

Are we allowed ‘he said/she said’ and scratching of heads, or is it pure dialogue you’re looking for?

Congratulations, Sandra – an excellent story. And thank you, Sea, for the feedback and setting a challenge I could rise to.

Thank you Sea, not least for the challenge itself, which forced me to face and write a scene I had been putting off; I look forward to the time that bottle of wine is anything but virtual. And yes, I was glad not to be the judge this month, so many differing emotions to choose from. I’ll be back in the morning with a challenge for November.