Activity

Should I look forward to seeing an entry? 😉

Sorry for the misunderstanding when I meant commercial, supernatural, etc… I meant submission in general not your novel in particular.

The prose is not typical however the story in itself is just the story of an Irish girl growing up in the 60s and her relationship with her sick brother. Just let me know what you think once you’ve read it. My…[Read more]

That’s a cracking idea, Sea!

@elle,
Most likely they won’t, but not because my novel is commercial. I describe it as supernatural / slipstream / literary (and too long for commercial).
I’ll comment more when I’ve read some of their published books, and I think ‘Half-formed Girl’ isn’t necessarily typical.

Hi Alan,

Regarding Galley Beggar, I think you might want to double check but I believe they only accept literary fiction so no genre fiction (commercial, fantasy, horror, etc…) so if your novel is a paranormal fiction I don’t believe it is something they publish.

@elle, crossed with you. Yes, I must try Eimear McBride. I’m a very self-disciplined writer, the type who procrastinates over a comma, and who might benefit from loosened chains.

I was at the FoW18 literary talk run by Galley Beggar Press, and was impressed by their focus on prose. Not sure if mine is quite what they’re looking for, but I’m interested to try. They do stipulate in their submission guidelines that you need to have read existing books they’ve published, so I have Anthony Trevelyan’s ‘Weightless World’ on…[Read more]

The only book I read from them was Eimear McBride’s A Girl is a Half Formed Thing, which is very experimental, stream of consciousness prose but I loved it (I just love her as an author)

Pow, @kazg, you got it!

Not yet… although I think I started Francis Plug: How to Be a Public Author.

I like the sound of them as a publisher, if you’re going for the literary / experimental end of the spectrum.

Ha, Kaz! Have you snuck into my house and been reading over my shoulder? That’s pretty much where I’d got to – thanks in no small part to this thread. I was avoiding the scene and the complicated POV didn’t help. However I think, by making it somehow trigger a flashback to the earlier scene where she is beaten up by her husband and making her feel…[Read more]

Richard, that is truly a shocking piece of writing – awful to read but really well done. Very powerful. It doesn’t feel gratuitous to me, awful as it is.

Jane, I think I know the scene you’re referring to 😉 Reading through this thread and going back to my own comments to you, the issue I had with it was that it felt as if you were avoiding the…[Read more]

Jane, you are welcome to read it. I’m in the throes of revising it after laying it aside for three years, so a fresh perspective will be useful.

Richard, that was good/awful. Works very well as it’s Rosalind’s pov so the abandonment of grammar, punctuation etc makes perfect sense. I think upthread examples of where violence is done well was requested: to my mind, one of the best (and it’s really hideous) egs of a violent scene is the torture scene in Day of the Jackal. But as far as I…[Read more]

And Philippa, I’m just trying to collect my thoughts to DM you…

I’d love to read the whole thing, Richard, if you’re ever looking for someone else to look at it.

Oops. Sorry!