Athelstone

I normally have a character and and end in sight when I start. Apart from that, I don’t do much planning at all – my brain simply doesn’t work like that. I’d love to be more organised, but personally it’s stifling. I am full of admiration for peeps who do the whole character file/in depth plot/post-it scene arrangements etc!

I do a lot of…[Read more]

I outline before I start by knowing the probable ending or at any rate an ending I’m heading for – it could change though hasn’t done so far. And I know what the midpoint or turning point will be – the tightening up when the main character(s) are stuck with what’s happened and have to deal with it in a focused way. This applies to short fiction as…[Read more]

This forum is a great idea, Andrew.

Re show-or-tell, I can’t add much to what’s already been said so well. The only thing I can think of is that sometimes, even with telling, you might want to write quite descriptively. Emma Darwin gives an example in the showing and telling post Jane mentions.

Good point, Squidge. It can also help if your think about how you perceive things in real life. When someone becomes angry, for instance, no one tells you ‘this person is angry.’ It’s shown to you as you see their brows come down, as you hear their voice rise.

And for all ‘novices’ reading this, another plug for Emma Darwin’s blog, the finest…[Read more]

Wot everyone else said! My rule of thumb to determine when I should show is to put myself in the MC’s shoes and write from their experience – if I can portray something through what they are seeing/hearing/feeling, then it’s probably more of a ‘show’ moment than a ‘tell’ one. For me, it’s linked with people and actions rather than descriptions -…[Read more]