Barny

That’s interesting @raine, the story seemed pretty much exactly as I remembered it so I don’t suppose too much can have changed? Really glad to see my writing friends appearing in my favourite sources

Thank you @Daedalus. It’s a great mag & the editorial team were fantastic throughout. The acceptance followed on from a revise & resubmit, so it took a while but I’m delighted it’s out.

I treated myself to the podcast this morning. Wonderful story, lovely to hear it being read. SH is a fantastic home for it, one of my very favourite mags

Well done, Janette!

Well done,J!
And well done to you too, Ath for setting the comp ☺️

The Softness Of Untouched Snow

‘I say, Lilian, there’s a fair covering out there. Fancy a walk – a slide?’
‘Silly old beggar.’ I shook my head and carried on knitting. ‘Out there, in that? Slipping and shivering – at our age?’
‘Shivering means you’re alive. Come on, old lass, it’s been a long time indoors. Lets make some footprints afore anyone…[Read more]

Just Another Night at the Theatre.

Suspenders. Check.
Stockings. Check.
Corset and lacy panties. Check.
Stilettos.Check.
Pearl necklace. Make up to die for. Check.
Lab coat. Check.
Rubber gloves. Check.
Rice, torch, water pistol, newspaper, confetti, party hat, rubber gloves. Check.
Sense of humour. Check.
Willingness to participate.…[Read more]

As per Neil Gaiman’s fifth rule of writing:

‘Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.’

I heard an interesting podcast a while ago by Sophie Hannah. She mentioned agents who reject with more than the standard brush-off. They are generally finding there is something the matter with the submission but can’t or won’t put their finger on it so instead may jump to an “obvious” criticism and give you that. Her suggestion was that you…[Read more]

Oh – and contractions? Bunkum! If you have a distinctly voiced character, they will ‘think’ and describe in contractions just as much as they use them in dialogue. I’d have no luck with this editor cos I often write voice with contractions…makes it more real to me as the writer, and immerses the reader in the story, in my experience.

Is it worth having a look at how you’ve used ‘I’, Doug? If you’re using it frequently, then yes, definitely worth looking up psychic distance. There’s a big difference between ‘I sit at the table near the window. Outside, I see a man fighting to keep his brolly up in the wind and rain’, and ‘I sit at the table near the window and watch the man…[Read more]