Chrissy

<p style=”background: white; margin: 0cm 0cm 21.0pt 0cm;”>These three pieces are all so interesting and satisfying, and such good uses of ‘electricity’ that, as usual, I’ve struggled to decide on a winner because the standard is so high. I’m intrigued by how something as impersonal and powerful as electricity has resulted in intimate pieces,…[Read more]

Thank you, Ath! That was a lovely surprise. The standard of the other entries was so high. Thank you to Terrie, Sandra and Seagreen for such evocative and immersive stories.

Phototropism

Suzy and I drank white wine while we sat in stiff, square garden chairs. I hadn’t met Suzy before and admired how she leant back, legs stretched out – lounging and confident. She wasn’t just overcoming the chair’s straight edges; she showed me she knew she had glamour. Her jeans and yellow cotton shirt were years old, threads loose…[Read more]

Thank you, Seagreen, for the competition. Great, enticing stories from Ath, Sandra and Terrie. I enjoyed them all.

I like the bugs analogy, Terrie.

Roughly I do something like this: I plan, though not in great detail – usually the ending and a couple of things along the way. When I start writing the plan doesn’t seem to work so I alter the order of events or cut events. After a bit I give up with the plan and hope the writing will suggest what I need to do…[Read more]

It’s a while since the 1980s

And why come back? Why, exactly, limp along these corridors after decades, and stop to look at dormitory doors and classroom doors all shut for the summer holiday. There’s no one else in this building – a giant bungalow with many arms – except the senior school secretary who has shown me old records and left me…[Read more]

Coordination: that’s exactly it. I can’t get coordinated with notebooks. I have one on my desk and it travels to my bedside table and back again. I admire people who use notebooks when they’re out – they seem more intuitive and open than I am. I think their minds flow more smoothly. They’re even Romantic with a capital R, with all the creativity…[Read more]

I enjoyed this prompt @Seagreen . At first I thought I wouldn’t have time to enter the comp this month but being able to work on something I’d already written gave me fresh energy. My piece still needs a bit more work but the exercise you gave us was very helpful and one to be remembered.

This is from my novel. It’s 1937. Hester is shortly to leave school and has asked her father if she can have flying lessons. He’s said no, it’s too dangerous. That’s the novel’s inciting incident. The is the next scene, told from her father’s pov.

412 words

In Worcester Cathedral, Hester’s father Frederick Longley gazed at the vaulted ceiling…[Read more]

I think for me Salter stands out because the spareness is also lyrical. I find many ‘less is more’ authors to be a bit dull, but his prose manages to be as poetic as it is simple

Yes, Salter’s detachment. Is that what makes his writing interesting? I think it may be – for me anyway.

John, I wouldn’t press Salter on you, or anyone, but his prose is an example of American spareness if you ever want to investigate same.

Salter is very much a writer of men. I was somewhat horrified by his treatment of women in All There Is (although there’s always a detachment to his writing that means it’s never entirely clear who his sympathies lie with). I find his earlier work rather tighter.

@sandra

The short stories are very good, Sandra. I liked a Sport and a Pastime but it can feel dated even though the writing was, for me, compelling. Salter can fall into the trap of his generation. Some of his writing about women can seem as if he didn’t ask the women around him how they thought and felt. On the other hand he’s also a very…[Read more]

I posted too soon. My comment may look as though I’m suggesting you don’t, Daeds, which I certainly didn’t mean! Your study of Salter brings a clarity and atmosphere to your writing which I’m sure it would have anyway. It’s interesting to think, in this influences process, how much we’re drawn to authors who provoke writerly neurones that we…[Read more]