Daedalus

How have I missed out on Pete Atkin? Been going to folk festivals for years, and just having heard snippets of him on Youtube, I thought I’d have had recommendations before now, if not seen him in person! I might have to look up some of the gigs you mentioned.

Wow, you mean I’ve turned somebody on to Pete Atkin? Result!

Yes, he is good live, preferably in an intimate setting. There are actually three gigs in very unusually quick succession lined up for next month – in the King’s Road, Ambleside and Middlesborough – plus one in October in Whitby. One 200 miles from me (and I’m reluctant to go back to…[Read more]

I have had a good listen. I have a feeling he’s somebody to hear live. Perhaps we’ll meet up at his next gig – if he has one.

Oh yes, Alan Bennett’s diaries are amazing!

I give up on books that boast complexity of prose above character or hook to read on, which makes me lean more towards plain text. However I am a sucker for a clever turn of phrase or a descriptive which reads like a painting.

I used to wonder if my plainer style showed a weakness, and would never read it out during workshops, after others with…[Read more]

Some more thought on influences. In a way every novel and short story I’ve enjoyed is an influence in a composting kind of way. That’s not very helpful here though.

Carys Davies’ short stories. I tried to improve one of my own stories this morning and for inspiration I once again looked at the openings of several of hers.

Katherine Mansfield.…[Read more]

Thank you for this treat of a blog, Richard, which addressed my total ignorance of chanson. I’ve long preferred lyrics which say something (hence my liking for Arab Strap and The Floating Men, discovered via my youngest son.) I’m thinking I can repay him with Pete Atkin.

She seems pretty English to me – although her mother is French and her father’s Maltese. But yes, it’s the French connection that hooked me on Renaud.

I don’t know, but put the speculation aside. Pete Atkin has a smooth confident voice and he holds a note very well. And that’s true right from the first album to the last. The songs hold your…[Read more]

Ah, Ath, your wife is French, n’est-ce-pas?

I don’t find it particularly surprising that a folk music lover should like Pete Atkin. Folk audiences, right from the start of the revival sixty and more years ago, have always been receptive to more serious subject matter in what used to be called ‘contemporary folk’ – though it’s often been with a l…[Read more]

Yes, Kurt Vonnegut never hid behind ‘fancy’ writing. He’s a fabulous role model. Amongst contemporary writers, I would love Ali Smith’s way with words, and maybe Philip Pullman’s scope (mine is more like a microscope by comparison). I love the lightness and silly references in Philip Reeve’s children’s books. A lot of my favourite authors write…[Read more]

The only writer who I enjoy and where I can see similarities in style with my own, is Kurt Vonnegut. That’s not to say we write in similar ways. Vonnegut was a master of prose and I’m not drawing a comparison. However, he made an effort to keep his writing plain and clear and advised others to do the same. Certainly there are subtleties in…[Read more]

Oh wow! That brings back memories. I heard Pete Atkin (without Clive James) at a soaking wet Bristol Folk Festival sometime in the early 70s, and again in Cardiff Student Union. And I loved his music. I had a Clive James/Pete Atkin LP from that time, but it is one of the many that I sold when I moved to a single room in Scotland in 1980.

As for…[Read more]

I agree, John, this is a difficult one. I’ll have to think about it.

Some influence comes from writers whose style I don’t like. I make mental notes not to do things like ‘whoever’ (they’ll remain nameless :-))

Then there’s the memory of a feeling a book created at the time I read it.  They include authors I couldn’t or don’t feel drawn to read…[Read more]

Fabulous blog, Richard. Chanson is so little known outside of France. People think they know it because they’ve heard a recording of Non, je ne regrette rien or maybe they know that Seasons in the Sun is a translation (sort of) of a Jacques Brel number. It’s hugely popular in France. Travel to any town and go out and about on market-day. Every…[Read more]

Perhaps I should make it clear this is just one line intended as a prompt to build a story on, from a collection of poetical, random lines, in a pocketbook entitled ‘Distance and Proximity’.