Jonathan

I know I’m a bad human being, but still. I admit the Roald Dahl thing caused me a great deal of distress – not least because some of the articles circulating about him in the last few years contain a whole lot of horrible smears as well as the couple of horrible facts. But it’s difficult to come out and say ‘well yes, he did say a couple of…[Read more]

There are also examples in art – Paul Gauguin, Picasso and Freud, for example, were not particularly nice folk, it seems.
If a writer’s work doesn’t reflect his obnoxious views, does that make it OK? Or if his views are expressed in a work of fiction and not an educational piece?
Some very good people write fiction that contains extreme views, but…[Read more]

Bit of a confession from me – this lifted from current wip, otherwise I might not get one done. 400 words plus title.

Returning from honeymoon (First day of the rest of their married life)

They were on the A9, having just left the Kinross services, before Luke asked. ‘Your wedding present? When do I get to see it?’

‘Soon as we get home,…[Read more]

It was. I have a bit of a confession actually – in the first Cloud monthly competition I ever entered, I got more than one flash of inspiration and asked if multiple entries were permitted. The competition setter said OK, but after my third entry, suggested that maybe enough was enough 🙂

No problem @Libby, it was a flippant remark on my part, not intended to be taken seriously.

I think that’s a good call @libby. Don’t want to inhibit anyone’s creativity, but you’re right about the increased possibility of success

@libby I’m inclined to leave it up to the setter of the individual competition. I don’t see the harm in allowing one additional entry

I have two pieces nearly done but I don’t now which of them to enter. Maybe I’ll enter both, one under a pseudonym. Would that be cheating?

Hi @katemachon, just got to this. I love the voice! I do agree about paring down the descriptions, making them part of the action as much as possible. And yes, you need to give us a reason to be on Ariadne’s side – give us her motivations, what she wants, what she fears.

I would also warn against overthinking the whole positioning of it,…[Read more]

It’s still possible to get in close, even using third person. It’s a bit of a knack, to get into your character’s head in this way – I often find myself rewriting complete paras when editing, because by the end of the book I’m so familiar with my character I can tell how they’re going to react, what they’re feeling or thinking. It’s a weird place…[Read more]

Hi Kate, it’s pitched about right, I think.

I wondered about the amount of description initially – and where it just touches on backstory/info dump when your MC says she’s never been there before. Can you rework something along the lines of ‘In all my sneaking around, I’d never managed to see inside, and I wasn’t disappointed on this, my first…[Read more]