John S Alty

  • Another great competition. Thanks so much Libby. Congratulations to all, especially Sandra. Very well deserved.

  • Sandra posted an update 1 year, 8 months ago

    September monthly competition is up. If you were alive and kicking in the Sixties, even if (shame on you) you don’t usually bother, you might find inspiration here. Each month demonstrates the benefits of stepping outside one’s comfort zone and giving it a go.

    • It occurs to me that I’ve already answered that question in the ‘All You Need’ challenge. I could always try for another answer though…

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    Each of the dozen short stories in A L Kennedy’s 2009  collection, entitled ‘What becomes,’ attempts to answer  the  question hauntingly  posed by Jimmy Ruffin in 1967. I’d like to know how successfully (or otherwise) your character(s) deal with their particular situation, preferably  in no more than 600 words, and no later than midnight on…[Read more]

  • Oh heck – I never saw that coming, not among so many superb entries – thank you, Libby, for comp and comments, and thank you all for much reading awe and entertainment. I’ll aim to post September’s competition before the end of the day. [but isn’t it odd how often a last minute, popped into one’s head,  final sentence seems to make what seems  a d…[Read more]

  • An enjoyable  monthly challenge thank you, Libby.

    Congratulations Sandra, I’m looking forward to where your monthly inspiration will lead us for  September.

    Well  done Ath and Sea too.

    It helps me to dip my toe into  writing in genres outside my comfort zone  when I see how diverse our  entries are

  • There’s a fabulous selection of entries in the August comp, and again it’s hard to pick one winner!

    @Seagreen: This very enjoyable story reveals the rich history of a relationship, shown with a clever use of Elizabeth English and rhythm. There’s a satisfyingly wide range of emotion, including the delicious LOL comedy of “Thine exuberance I shall…[Read more]

  • A terrific set of comp entries. I’ll be along tomorrow morning to reveal the winner.

  • Hi Sandra, I was thinking that too!!

  • Don’t envy your task of choosing a winner, Libby!

  • Shall I compare thee to a summer day?  

    The sons of Scathios are not many, but we exist, hiding in plain sight, yet cautious as stealthy shadows flickering through time.

    The oracle of Ages states ‘everything is subject to the passing of time, even that which is immortal’ and yes things around me did transform and I perceived them in their tran…[Read more]

  • I had been thinking of writing a piece about the regular assembly of early morning imbibers near the local pier. My idea was to call it The Breakfast Club, but in deference to the competition it is as requested. Note that the language at these events is often rough. I have tamed it a bit but there may be a trace…

    Shall I compare thee to a…[Read more]

  • Reminder! The monthly competition closes at midnight on Saturday, 31st August.

    Anyone can enter.

    Here’s the task:

    Our summer weather so far has been an ever-changing experience, almost one extreme to another. For the August comp please write a story about changeability titled ‘Shall I compare thee to a summer’s day?’ Thee can refer to a perso…[Read more]

  • Probably a bit aslant of what you were hoping for Libby, but is the idea that stuck

    ‘Shall I compare thee to a summer’s day?’

     

    I guess you had to’ve been there, because even now,  months later, just thinking about it makes me smile. It was the usual semi-dormant Friday afternoon meeting, Anton, our boss, wanting us to brain-storm some sort of…[Read more]

  • Athelstone posted an update 1 year, 9 months ago

    I’d be grateful for some thoughts. I read a section from my WIP at a writers’ meeting and somebody commented on the name I chose for a character aged around 40. I named the character Carol. She said that this seemed rather an odd name for somebody of that age and that if you see “Carol” you immediately assume somebody older. This hadn’t occurred…[Read more]

    • As far as I’m concerned the answers to your questions are ‘No’ and ‘No.’ I had a similar experiance about ten years ago when my daughter suggested that Angela was an unlikely name for a twenty-year-old, but the character had been with me in some shape or form for years and I couldn’t imagine her being anything else, so i stuck with it. And lo and…[Read more]

      • I’ve realised for a while that I’ll need to change the name of one character. I introduced her simply for a physical look and mannerisms that I could understand and write about with some realism. But the name belongs to a real person and I’m not the only one who knows her. So…

        But the other name? Is my critic opinionated? I couldn’t possibly…[Read more]

    • I don’t remember anyone called Carol in the 80s and my younger sister did not have any friends called Carol that I know of. However, I do not associate the name with any particular generation in the way that I would, say, Mabel or Enid or Hilda.

      • I knew a couple of Carols at work, but I think they were both probably born in the 60s. I also know a Carol (as I said up there) who’s in her early 40s now, so would be around the age of my character. I suspect that the person who was so definite on associating the name with an era was extra sensitive to it because she was a Carol herself. I’ve…[Read more]

        • I’m late to the conversation but I think it’s fine to have a character with an out-of-era name. The only problem I could see with a story is if all the names were old-fashioned or unusual in some way without the author giving any explanation.
          Seeing Carol and Angela now, I’m struck how pretty these names are. When they were in commoner currency I…[Read more]

          • As a matter of interest (or not…) my character isn’t usually referred to as Angela. It’s part of an authorial joke. I gave her that name so that she could have the nickname Jelly, with the excuse that that was how she said her name when she was learning to talk and it stuck. The girl is a head-turner, and ‘jellyroll’ (as in Jellyroll Morton,…[Read more]

        • I’d better not describe the original Teabreak to you as that might break something. Personally I can’t see anything wrong with Carol for the 80s, although I might add an “e” to the end (Carole). I’d go with what you’re comfortable writing with – you can always do a global change when finished if you really want. In other news I know at least one…[Read more]

    • Well, thanks for the replies. She stays as Carol, with a suitable comment or two to settle her age. I’ve given this some more thought. In the novel her age is quite clear anyway because this and her appearance are described before Teabreak gets to know her. That’s one of the possible disadvantages of offering critique (especially “definitive”…[Read more]

  • Thanks, Richard! This becomes quite compulsive doesn’t it, a new thread of literature (new to me anyway) to follow and think about.

    I’m off now for a few days and will read your post fully when I return.

  • I’m glad you copied this, Libby, because you saved me the trouble. Your comments should definitely be an integral part of this thread. And I’m glad, too, that the poem seems to have had much the same effect on you as it had on me.

    There’s more, much more, than ‘yet another translation.’ There’s a page with over forty, ranging from Catullus’ Latin…[Read more]

  • I replied in a comments box earlier where it may get lost – so I’ve copied my comment here.

    ***

    Definitely good going, Richard. Thank you for this post.

    Of these various translations I prefer the ones with shorter lines. They feel more immediate, less worked. That seems to be the magic of Sappho’s lines – the way they leap almost three mil…[Read more]

  • Rather annoyingly, shortly after posting this I came upon another translation. Annoyingly, because its publication on a page headed ‘The Center for Hellenic Studies,’ its juxtaposition with the Greek, and most of all the clumsiness of its English suggest to me that it is the closest to a word-for-word rendition of Sappho’s original that I’ve yet…[Read more]

  • I’m looking forward to reading this, Richard. I became more aware of Sappho when I read Selby Wynn Schwartz’s novel After Sappho, which I enjoyed a lot. Before that I’d hardly known who Sappho was.

  • Great blog, Richard. Sadly I have very little internet right now. Will get back asap. Also, yikes! One of the updates has broken my menus (at least in mobile mode).

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