John T

How have I missed out on Pete Atkin? Been going to folk festivals for years, and just having heard snippets of him on Youtube, I thought I’d have had recommendations before now, if not seen him in person! I might have to look up some of the gigs you mentioned.

Wow, you mean I’ve turned somebody on to Pete Atkin? Result!

Yes, he is good live, preferably in an intimate setting. There are actually three gigs in very unusually quick succession lined up for next month – in the King’s Road, Ambleside and Middlesborough – plus one in October in Whitby. One 200 miles from me (and I’m reluctant to go back to…[Read more]

I have had a good listen. I have a feeling he’s somebody to hear live. Perhaps we’ll meet up at his next gig – if he has one.

I give up on books that boast complexity of prose above character or hook to read on, which makes me lean more towards plain text. However I am a sucker for a clever turn of phrase or a descriptive which reads like a painting.

I used to wonder if my plainer style showed a weakness, and would never read it out during workshops, after others with…[Read more]

Thank you for this treat of a blog, Richard, which addressed my total ignorance of chanson. I’ve long preferred lyrics which say something (hence my liking for Arab Strap and The Floating Men, discovered via my youngest son.) I’m thinking I can repay him with Pete Atkin.

She seems pretty English to me – although her mother is French and her father’s Maltese. But yes, it’s the French connection that hooked me on Renaud.

I don’t know, but put the speculation aside. Pete Atkin has a smooth confident voice and he holds a note very well. And that’s true right from the first album to the last. The songs hold your…[Read more]

Ah, Ath, your wife is French, n’est-ce-pas?

I don’t find it particularly surprising that a folk music lover should like Pete Atkin. Folk audiences, right from the start of the revival sixty and more years ago, have always been receptive to more serious subject matter in what used to be called ‘contemporary folk’ – though it’s often been with a l…[Read more]

The only writer who I enjoy and where I can see similarities in style with my own, is Kurt Vonnegut. That’s not to say we write in similar ways. Vonnegut was a master of prose and I’m not drawing a comparison. However, he made an effort to keep his writing plain and clear and advised others to do the same. Certainly there are subtleties in…[Read more]

Fabulous blog, Richard. Chanson is so little known outside of France. People think they know it because they’ve heard a recording of Non, je ne regrette rien or maybe they know that Seasons in the Sun is a translation (sort of) of a Jacques Brel number. It’s hugely popular in France. Travel to any town and go out and about on market-day. Every…[Read more]

Perhaps I should make it clear this is just one line intended as a prompt to build a story on, from a collection of poetical, random lines, in a pocketbook entitled ‘Distance and Proximity’.

Wow, Libby, and thank you, a big surprise, especially as I’d already identified winners 1,2 and 3 and, my laptop having died and been taken away, and only having my ancient, over-full and steaming one, I wasn’t checking as often as I have been. I’ll try and come up with something as interestingly challenging as the last few have been.

Brutal

Graham was beside himself. Furious, speechless, incandescent with rage. They had demolished the ancient well in his garden, thrown the centuries old stonework down inside, and constructed a former which showed their intention to pour footings a full twenty metres from where the summerhouse should be. He leaned forward and peered down. All…[Read more]

The Mausoleum

… The star broke down as wife Stephanie’s casket was taken into the mausoleum. The stone masterpiece, testament to their love, could have been fashioned by Wren …’

Justin Mallory’s architect had also been proud of the secret panel to facilitate re-entry: stone-clad, freed by hidden lock and latch. Justin pocketed the key. He swiped…[Read more]