Kate Hudson

Very interesting blog. I, too, have listened, enthralled, to Craig’s lectures on this, and have read an enormous amount of stuff about structure. I’m struggling rather with it now, at the almost-finished-the-second-draft-of-my-novel-stage. I don’t know if my struggle is because I’ve read too many different models/descriptions and have become…[Read more]

Good article, Daeds. I might try to hunt down the Twitter thread to see what else was said.

I saw someone (Hellie Ogden I think) say that 60% of her submissions either fail to meet the submission criteria (format, genre, basic spell checks etc) or are clearly at way too early a draft to be sent out. I was so guilty of this last with my first…[Read more]

Still missing three quarters of the story….

That’s the most important bit done.

Thank you for a very interesting read Daedalus. You have made me want to go and watch the film. I am

I absolutely agree with you Raine about not every character progressing through their arc in synchrony and entirety but nevertheless needing some sort of arc. I have only recently realised that this gives the relationships between characters energy and life as they shift according to where they are in their ‘journey’. It is a powerful tool.

Hows the planning going, NaNo Denizens?? I have a title. That’s good, right?

Sorry @daedalus – for some reason your latest didn’t appear till after I’d posted the above. Really interesting breakdown there, I’d seen the film, and it came across to me (many moons ago, I admit) as extremely captivating and clever but essentially typical alpha-male adventure type thing. But no! PErhaps I should watch it again to pick up on all…[Read more]

I think I do a bit of both tbh. I do plot out the character arcs at the start, but things change as I write (as they do, the wee buggers), so by the end I need to do it all again for my major edit. That’s when Julie Cohen’s post-it notes come into play! I’m basically a walking advert for Julie and Craig.

@daedalus re the tragic/heroic thing – it…[Read more]

I too tend not too worry too much about the overall structure when I’m actually in the thick of writing a first draft but I have found that reading the various books about structure has helped me be aware of the broad sweeps of the shape of a story as I’m thinking it out.

Also @squidge – The entire universe makes profound and powerful sense when Craig talks!! 😀

@richardb and @squidge – I don’t think there’s anything wrong in not wanting to use models like these! I have a penchance for graphs, which is probably ~60% of why I love it! No – I like the tie-in between internal and external, but it’s definitely not for everyone.

@athelstone, yeah you’re totally right, I agree it’s foolish to think that any…[Read more]

I feel much the same way, Squidge. I never have been able to get on with charts, graphs, grids or any other kind of science-ish analysis. I’m not knocking it for those who find it useful, but my eyes start to glaze over when faced with such stuff, and it seems to place a barrier between me and my creativity (if any). I suppose I might conceivably…[Read more]

I find this sort of structural analysis interesting – and useful because I’m convinced that there’s a kind of validity to it. So I’m really happy to steal the ideas and use them. What I’m not so sure of is whether something with a “universal” explanatory power – or even scope – is being described. And that goes for the stages of grief as well.…[Read more]

@katemachon glad it makes some sense & hope it’s helpful! 🙂

@philippaeast that’s so interesting. The thing that’s always drawn me to this model is how it really explores the psychology of the character and how that drives their interactions with the external world. BUt I’d never made the comparison between that and things like the stages of…[Read more]

This is great Raine. I’ve read a few structure books and I can see how they all reflect in this arc. It’s nice to have it in this concise summary. I’m going to print it out and pin it to the wall!