Knicks

I’m glad someone else does that too, Sandra!

Yes, Squidge – soon as I pressed ‘go’ I thought that myself!

I think some ARE young, Sandra, but what I’ve seen of the Masters, it tends towards a fairly older crowd, often folks who’ve been doing other things in life first.

Sorry I was MIA recently – thanks to all for contributing and it looks as though you’ve all sorted things. Well done, going to look at new comp stuff now

At the risk of sounding ageist, is it not the case that a high(ish) percentage of those doing degrees/Masters are quite young, and are unlikely to yet have the confidence/experience to ignore publishers et al?

I think there is a different approach to writing if you do a degree/Masters in it. It’s almost as though, at the point of graduation, most folk have a perceived idea of what writing should be. Qualifying this because I know a creative writing lecturer, and am in a facebook group for one of the CW courses at a local uni. Some of the stuff I see…[Read more]

Thanks Richard. I like that “I wrote it like that because I like it like that. And screw you.” I fully support the misuse of craft in the name of creation. I wrote a piece that was full of (intentional) spelling mistakes, probably because I’d recently read The Gallows Pole and I liked the way it conveys voice and place via imperfection, and was…[Read more]

Ah, Jonathan, you and I (and Harry) are thinking along the same lines. And yes, there is more. The full blog is here:

https://jerichowriters.com/find-voice-writer/

Regarding this point:

this would seem to suggest that all the stuff he mentions in the first para, all the work we do to improve our writing, all the hanging out we do in places like the Den and, yes, Jericho Wtiters too, is a waste of time.

I’ve not seen the writeup so I don’t know if there’s any more? Is there a link to it or is it…[Read more]

When I was (a lot) younger I used to snort in contempt when I read in an author’s bio on a book cover, usually American in those days, that they had a degree in creative writing. Hah! I thought, either you got it or you ain’t. You can’t teach it like you can physics or history. It’s not hard and fast stuff like that.

Much later, after discovering…[Read more]

I always thought that one of the strengths of the SE course was the range of different books people were working on within each group if they were anything like mine – children’s, YA, fantasy,crime noir, women’s fiction, literary fiction and so on. It made it unlikely that you’d start picking up on each other’s styles.

Thank you for the book…[Read more]

To some extent (not that I’ve done any really full-on writing courses, just SE, some reading and building on experience) I do notice that my very early writing has a freshness of approach that more recent, more self-conscious writing does not.

And I do cheer when I come across writers such as Eimear McBride and Eley Williams (both James Tait…[Read more]

Sometimes Harry talks a lot of blah. Sometimes he makes a lot of sense. But that’s true of us all, I guess. Agents/publishers do want writers with their own voice but they equally want something that they can sell and that, sadly, does mean it needs to fit into a category of some sort. It’s a difficult balance I think and there’s a lot of luck involved.

On the subject of having the courage of one’s own convictions I see that Imtiaz Dharker has turned down the role of Poet Laureate so she can concentrate on her own work.

The glib answer is “that’s just his opinion”. I think UWS probably does exist and I don’t understand why he is slating it. My impression is that an agent faced with a synopsis they like and an MS written in UWS will say “yippee”. I don’t think real originality is as prized as it should be, at least not when it comes to trad publishing. S…[Read more]

You seem to have set a fire with your idea, Raine: even I’m having a go. Yet more apologies: 408 words.

The Last House

There’s freedom and there’s freedom. Sleeping rough and scavenging for food is freedom, but not the sort that appeals to me. And that’s exactly what I’ll be doing tonight if something doesn’t turn up. Another night’s B&B will…[Read more]

Drink with a dead man – and apologies, 410 words

Innocuous in colour as a Rich Tea biscuit, the envelope was angled so as to fit into the grey metal cell of the Post Restante box. Illuminated by the single bare bulb in the narrow passage between front and rear of the shop, the vertical/horizontal of the letter’s shadow made of it a hitman, w…[Read more]