Libby

It’s so heartening that people in the industry are taking this seriously now. And good though it is that there are paid-for courses available, for someone with the knowledge and experience to offer a checking and advice service free of charge is really brilliant.

Wondering if you might be up for ploughing through a 150k m/s loaded with PTSD etc?…

As Ricky Nelson sang “You can’t please everybody so you gotta please yourself”

At least the ghostwriting of books like O’Sullivan’s thriller will be keeping an author somewhere in gainful employment – and probably earning much more than if they had published it under their own name. If I’d got that gig I’d call it success

Nothing to add to Daed’s and Raine’s wise words except to sympathise Bella. It must have been very frightening.

It’s undeniably scary when stuff like that happens, and you have my sympathy. In situations like this, staff training is worth its weight in gold. The trouble is that nobody really knows what to do in this kind of scenario when they are suddenly confronted with it, and can often either freeze up or make things worse. In a previous life I worked…[Read more]

The not-getting-shortlisted thing is tricky. I had one story that was shortlisted in a major competition. I worked on it a bit more and submitted it to a few other places…and was met with silence.

@daedalus The law in the USA is basically the same, copyright rests with the creator as soon as the creation is in a tangible form. The difference is litigation, America’s national sport. To defend, or attack, is far less complex and expensive if you’ve registered the copyright. But, an important point, just putting the C-mark on your work,…[Read more]

You called, ma’am? Yes, no ‘c’ required for the reasons already given on this thread. It sends out a signal that you don’t really know how this stuff works, which is less-than professional.

A failure of mine is to take each failure to heart while not believing that successes are real or worthy