Stevie

With crime fiction, it seems that the ‘THIS IS WHAT THIS IS signifier is a silhouetted man walking down a tunnel or over a bridge or along a lonely road BUT IT IS ALWAYS THE SAME BLINKING MAN!!! and I wonder authors don’t put their foot down. Even more so when I see what can be done by a small company with ‘This is our undoing’

Our local indie bookshop – https://www.drakethebookshop.co.uk/ – is doing a brilliant job of keeping us stocked up with books – and says he has deliveries of stock arriving daily for click and collect. I’ve already spent £100 with him this year – and my ‘need’ list grows ever longer.

Catalyst

Despite the haste of his extreme, and unavoidably, late arrival – ‘Sorry, sorry, bastards took my phone so no way to warn. I’ll be fine, just need to wash the blood off … nose, yeah. Not broken. No, it’s fine, Alix paid my cab off at the door. And yeah, the police took witness statements.’ – he’d caught a glimpse of her as he hurri…[Read more]

Well done, Janette!

Yay indeed – well done Janette! And well done for choosing from such a disparate selection, Athers.

Having heard of someone else’s concern about the danger of overusing ‘I’ I am more sensitive, and have seen writing where it becomes a pain, but it’s hard to cut beyond a certain point. As for contractions – sometimes NOT to use them adds an unnatural stiltedness; like Jane says, their use needs tailoring to what’s being written.

“Then gently scan your brother man” (Robbie Burns)

‘Hipbones,’ she said. ‘They’ll disappear. Never to be seen again.’
That was early on. After forcing her to admit it. Persuading her it’d change nothing between us. When I’d arranged my physio appointments to coincide with her off-duty; to give us some pressure-free hours at home. When the…[Read more]

Well done Ath – and thank you Libby – JUST the sort of challenge I best respond to (not sure what part the ebony pendant will play yet, but I’m glad of its inclusion). Much enjoyed your dialogue-only piece too Kate, so much action incorporated.

‘Also known as …’

Early Thursday, DS Mike Kennedy, on her arrival.
‘Infirmary’s been on. Ursula Bothwell died three this morning. Peacefully, they said.’
‘Cause?’
‘Not known. Which means –’
‘A PM. Not peaceful.’ DS Fran Lloyd strove to hide the threat of tears. Not normally a problem; had to be more than fifty times she’d heard the nec…[Read more]

Well done Libby. Excellent entries from all.
Happy New Year!

Thank you Ath, both for comments and for setting the comp in the first place. As you probably guessed, I used it as a shameful attempt to find a way into a yet-to-be-written novel and was immensely glad of the opportunity to do so, though knew from the start I’d barely skated your original intent. And well done Libby – I look forward to finding…[Read more]

With good intent

‘Let’s face it, it is one of our unadmitted secret pleasures!’
One eyebrow lifting in pantomimed leer, he turned his head away, allowing the wind to carry exhaled smoke along Portobello’s beach towards the Scottish capital.
Aware of the flaring of her too-carelessly clipped hair, she pictured them as opening sequence of some…[Read more]

I’d not heard of Pete Roche, and much enjoyed these two examples, thank you for them.

It’s that sort of recognition/everyday honesty that draws me to certain songwriters (I’m thinking Aidan Moffatt in his Arab Strap days), and why Vicki Feaver spoke so loudly to me.

@Daedalus, I know exactly what you mean: most of my novels start with a conversation between two characters, me thinking they’ll be the opening chapter, then, as things develop, I find they’ve moved to the middle of the middle.

@Raine – exactly! When I first read A L Kennedy’s tale, I had to re-read to see how it was done. Then di my best to emulate.