Tony Lyttle

Publishers vary a lot in terms of the extent they will consult and take account of author suggestions. Mine have ranged from asking me for examples of covers I like and making changes to the design at my behest, to not even showing me the cover until the book is published. In the middle was making some changes to a first iteration, showing a…[Read more]

It’s a great cover because it hints at characters and themes and atmosphere enough to give a sense of the book, without doing so too overtly

So. Many. Ways. That’s horrifying.

It is, isn’t it?

I suppose that once a book and an author become so well known that the text will survive whatever the publisher throws at it, things are different. The various covers for Mrs Dalloway were what I thought of straight away. They are almost always a portrait of a woman, often Woolf herself, but there are few that would positively prevent a purchase.…[Read more]

It is an excellent fox. Foxes are cool.

I think I understand really well why you wouldn’t want a human face on the cover. A huge part of the pleasure of reading a novel, is the way the characters reveal themselves to us as the story progresses. A picture of somebody, fully-formed, denies the reader that pleasure. But you can understand why…[Read more]

Aaah, that makes sense! Yes, now you mention it I think I recall more attention on that aspect. I think it worked. Good on you, lovely to see your writing get more recognition

That’s interesting @raine, the story seemed pretty much exactly as I remembered it so I don’t suppose too much can have changed? Really glad to see my writing friends appearing in my favourite sources

I treated myself to the podcast this morning. Wonderful story, lovely to hear it being read. SH is a fantastic home for it, one of my very favourite mags

Well done, Janette!