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John T

One I picked up from Brian Keaney at York for intense, magical or transformational scenes (to be used sparingly). Write it as prose, rewrite it as poetry (however crappy) then rewrite it again as prose. The idea is to knock away your own familiar turns of phrase and find a different language. I’ve already tried it in the last couple of days, and just a few resonant words in the right place make a big difference.