Emma Robinson

I think “Spotting an opening…” needs a new para. The lipstick thing is a little over complicated, I think you could shorten it without losing anything.
The “pills like skittles” analogy doesn’t work for me.
“Small-to-medium-time” seems a cop-out, he’s a small-time crook, I think.
“Anticipated to sit..” should be “anticipated sitting”.

I’d take…[Read more]

Thanks for your notes, Raine. They are very helpful and come at a timely moment as I polish the structure of my novel in progress.

A few immediate thoughts which may not stand up to scrutiny. Athelstone wonders about the universality of such frameworks. This has always been my question too. They seem to me too rigid to allow for individual…[Read more]

I remember doing these sessions at York…it all seemed to make perfect sense when CMT was explaining it, but I can’t put it into practise. I don’t think I have the kind of logical and structural mind that can break a story down into these kind of segments. Which is annoying, because I know it’s all good stuff and very useful – I just can’t apply…[Read more]

Very nice… There were a couple of points only that tripped me up in the reading:
‘Tasha and she nicked the lipstick’. Didn’t sound right. I wondered about ‘She’d nicked the lipstick when she was with Tasha’, but wasn’t sure how that’d affect your word count.
‘The salty scent of sweaty skin trapped in every pore’. I read this first as the sweaty…[Read more]

This is great Raine. I’ve read a few structure books and I can see how they all reflect in this arc. It’s nice to have it in this concise summary. I’m going to print it out and pin it to the wall!

Don’t think I’d qualify as I’m not looking to change genre but am already published… Also can’t commit to the time at the moment 🙁

Are you involved in WEM, Philippa? I just received their latest email update and it all sounded a bit highbrow!

SloMo. Love it. Matches me perfectly.

(Although I did manage a couple of hours yesterday on the WIP – nothing new added, but dialogue’s snappier!)

I like Two Cities and the Void, but wonder whether, for the novel as you’ve described it, The Void Between Two Cities works better? Which is more central to the story – the space between, or the actual cities? Looks like you’re getting closer to finding your title though.

Mine would definitely be a slow write. I have no idea how I’m going to get any writing done at all between now and the New Year… Not even my Room with a view! 🙁
I’ll sign up though, and hope for the best…

The Banjo
The phone rings in the lost property office at Euston Station in London.
“Lost Property, Smith speaking, how may we help?”
He takes a sip from his tea, listens.
“Yes, sir, anything left on a train on this line ends up here. Assuming it’s turned in, like. What have you lost?
“So, a banjo is it sir? Well let me have a look, won’t be…[Read more]

Well done, good job as usual, L!

It’s not my cup of tea but I’m supportive of anyone who does it. I know someone who sets her own word count for the month and that works well for her.