Kate Hudson

Thank you @Daedalus. It’s a great mag & the editorial team were fantastic throughout. The acceptance followed on from a revise & resubmit, so it took a while but I’m delighted it’s out.

Yay indeed – well done Janette! And well done for choosing from such a disparate selection, Athers.

As per Neil Gaiman’s fifth rule of writing:

‘Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.’

Having written an entire novel in colloquial first person a la Catcher in the Rye, having made a conscious effort to break through my inhibitions about departing from Oxford (or Queen’s, or formal – call it what you will) English to do so, and having found the process liberating and rather fun, I’ll give a heartfelt ‘Hear, hear!’ to that. Okay,…[Read more]

Well bugger me. Apparently, if you just copy and paste a URL into here, without bothering with that ‘link’ button, it links automatically. You live and learn.

It occurs to me that one reason for over-use of ‘I’, or any other pronoun come to that, is filtering. This is another cause of the ‘frustrating distance’ Libby mentions, and Emma Darwin (Who else?) explains it far better than I could.

My immediate and visceral reaction to both criticisms was ‘Bollocks!’ If writing in first person, what other pronoun is there for you to use? How are you going to avoid the pronoun? If writing in third person, does the same criticism apply to ‘he, ‘she’ or ‘they?’ I suspect the real problem is not with the pronoun itself but with the style. As for…[Read more]

Having heard of someone else’s concern about the danger of overusing ‘I’ I am more sensitive, and have seen writing where it becomes a pain, but it’s hard to cut beyond a certain point. As for contractions – sometimes NOT to use them adds an unnatural stiltedness; like Jane says, their use needs tailoring to what’s being written.

Interesting. I would have said it is perfectly acceptable to use contractions such as I’m, He’d, don’t etc in narrative writing. In fact I think it’s fine to use anything you want provided it doesn’t obscure the meaning. It’s all down to what the voice and style require.