S.P.Moss

Well done, Daeds, a star is born!

I’ve never started a piece of fiction knowing the ending. I like to start with a scene, put a character into it, and see where it goes. I enjoy the ride.

Oh, well done, @alanr! That’s fantastic. So which course are you going for?

Well done Alan! Congratulations!
All three courses sound excellent.

Very interesting blog. I, too, have listened, enthralled, to Craig’s lectures on this, and have read an enormous amount of stuff about structure. I’m struggling rather with it now, at the almost-finished-the-second-draft-of-my-novel-stage. I don’t know if my struggle is because I’ve read too many different models/descriptions and have become…[Read more]

Hi L,

I think you could trim most of the paragraphs in the first half of the story, really. The Physics thing (tight pants) early on could go, you use this analogy later on anyway. Watching a film at the cinema, that paragraph could be less wordy I think.
And towards the end – “zipped her hoodie and pulled the hood over her head” etc. I know…[Read more]

I think “Spotting an opening…” needs a new para. The lipstick thing is a little over complicated, I think you could shorten it without losing anything.
The “pills like skittles” analogy doesn’t work for me.
“Small-to-medium-time” seems a cop-out, he’s a small-time crook, I think.
“Anticipated to sit..” should be “anticipated sitting”.

I’d take…[Read more]

I remember doing these sessions at York…it all seemed to make perfect sense when CMT was explaining it, but I can’t put it into practise. I don’t think I have the kind of logical and structural mind that can break a story down into these kind of segments. Which is annoying, because I know it’s all good stuff and very useful – I just can’t apply…[Read more]

Very nice… There were a couple of points only that tripped me up in the reading:
‘Tasha and she nicked the lipstick’. Didn’t sound right. I wondered about ‘She’d nicked the lipstick when she was with Tasha’, but wasn’t sure how that’d affect your word count.
‘The salty scent of sweaty skin trapped in every pore’. I read this first as the sweaty…[Read more]

Don’t think I’d qualify as I’m not looking to change genre but am already published… Also can’t commit to the time at the moment 🙁

Are you involved in WEM, Philippa? I just received their latest email update and it all sounded a bit highbrow!

SloMo. Love it. Matches me perfectly.

(Although I did manage a couple of hours yesterday on the WIP – nothing new added, but dialogue’s snappier!)

I like Two Cities and the Void, but wonder whether, for the novel as you’ve described it, The Void Between Two Cities works better? Which is more central to the story – the space between, or the actual cities? Looks like you’re getting closer to finding your title though.

Mine would definitely be a slow write. I have no idea how I’m going to get any writing done at all between now and the New Year… Not even my Room with a view! 🙁
I’ll sign up though, and hope for the best…

The Banjo
The phone rings in the lost property office at Euston Station in London.
“Lost Property, Smith speaking, how may we help?”
He takes a sip from his tea, listens.
“Yes, sir, anything left on a train on this line ends up here. Assuming it’s turned in, like. What have you lost?
“So, a banjo is it sir? Well let me have a look, won’t be…[Read more]