Terrie

One I picked up from Brian Keaney at York for intense, magical or transformational scenes (to be used sparingly). Write it as prose, rewrite it as poetry (however crappy) then rewrite it again as prose. The idea is to knock away your own familiar turns of phrase and find a different language. I’ve already tried it in the last couple of days, and…[Read more]

I did a version of this… Rather than setting myself so many days up front, I just made a grid and marked off one square every time I wrote something. That way, there wasn’t so much pressure if I had to allow myself time off when life got busy or I needed a short break. I always wrote in the date so eventually I worked out that a break of any…[Read more]

Brilliant blog, as ever, and I’ve done other 100 days things over the years and can vouch for their effectiveness, but this time I too have novels to edit and to write (and in any case have no need of inducement to write every day)

Well done Skylark. So delighted for you! Like everyone else, I wish I’d been there for your speech. But it’s great to see lovely people and wonderful writers getting the good stuff that they deserve, regardless of how long it takes.
Congratulations!!

This is great, Squidge. Way more immediate and intense – can really feel Tilda’s relationship with the magic and her power. I’d agree with Philippa’s points, but I think it’s great and tight and engaging. I guess from here the question is around how much more exposition you want in this passage and how much should come later.

No worries, @Squidge. Great to see people finding the site from wherever they come.
And Hi Alan!

oops – my bad! Sorry, Mad!!

That you research meticulously and have a great imagination? 😄

I thought that was probably the case with the girl’s age, inevitably there are going to be things that have already been covered with an excerpt that starts some way in. Enjoyed reading it, and look forward to seeing more

Big step @alanr – best of luck with the subs, keep us posted with your progress