Gerry Fenge

Well, I’m feeling a tad more apprehensive than in previous years. There’s a certain investment in succeeding this time – for me. Well, succeeding in writing the requisite number of words anyway. My record is one complete children’s story, one block of 50K words that I eventually deleted, two failures.

Very interesting blog. I, too, have listened, enthralled, to Craig’s lectures on this, and have read an enormous amount of stuff about structure. I’m struggling rather with it now, at the almost-finished-the-second-draft-of-my-novel-stage. I don’t know if my struggle is because I’ve read too many different models/descriptions and have become…[Read more]

Hi L,

I think you could trim most of the paragraphs in the first half of the story, really. The Physics thing (tight pants) early on could go, you use this analogy later on anyway. Watching a film at the cinema, that paragraph could be less wordy I think.
And towards the end – “zipped her hoodie and pulled the hood over her head” etc. I know…[Read more]

That’s the most important bit done.

I think “Spotting an opening…” needs a new para. The lipstick thing is a little over complicated, I think you could shorten it without losing anything.
The “pills like skittles” analogy doesn’t work for me.
“Small-to-medium-time” seems a cop-out, he’s a small-time crook, I think.
“Anticipated to sit..” should be “anticipated sitting”.

I’d take…[Read more]

I find this sort of structural analysis interesting – and useful because I’m convinced that there’s a kind of validity to it. So I’m really happy to steal the ideas and use them. What I’m not so sure of is whether something with a “universal” explanatory power – or even scope – is being described. And that goes for the stages of grief as well.…[Read more]

Kaz – what’s your name on NaNoWriMo? I’m Athelstone.

The Banjo
The phone rings in the lost property office at Euston Station in London.
“Lost Property, Smith speaking, how may we help?”
He takes a sip from his tea, listens.
“Yes, sir, anything left on a train on this line ends up here. Assuming it’s turned in, like. What have you lost?
“So, a banjo is it sir? Well let me have a look, won’t be…[Read more]

Well done, good job as usual, L!

I’ve never had a problem writing crap, but I do have a problem allowing myself to. That’s one reason I find it useful sometimes. Focussing on a goal other than perfect sentences stops me getting tied up in knots and losing all interest in what I’m doing. There is a view that all the polishing should be left for the editing.

It seems we are already buddies – I didn’t know it persisted over the years.

Also, bumpety bump

Without any other information, I’d probably guess at a YA novel.